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<channel>
	<title>Marios Leandros Basteas</title>
	<link>https://leandrosmarios.com</link>
	<description>Marios Leandros Basteas</description>
	<pubDate>Mon, 09 Nov 2026 21:19:01 +0000</pubDate>
	<generator>https://leandrosmarios.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://leandrosmarios.com/Home</link>

		<pubDate>Mon, 09 Nov 2026 21:18:47 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Home</guid>

		<description>

  
    

    
      Installations 
      
        MATAROA Tharrsos
        Prometheus Desmotes
        Kinesis: Repetitive Marches
        Von Zart bis Hart
        C-na-Ψ
        CellFee
        Tharrsos
        Re:souvenir
      
    

    
      Sculpture 
      
        The Empire's New Invisible Wardrobe
        Maria Callas’ Ear
        Balk-Out
        Brave New World
      
    

    
      Digital Works 
      
        Phosphene
        Shedding Yesterday’s Limbs
        Thess.rep
      
    

    
      Performance 
      
        Erroneous Process
      
    

    
      Printmaking 
      
        Photograms
        Printmaking
      
    
  

  
    
    
    


  
  
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      &#60;img src="https://freight.cargo.site/t/original/i/aaafb36acbbdcd1fb693c3166428ce97106f677ef77657f4e09daa7879141739/20250517_135551.png" alt="MATAROA Tharrsos — image 3" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/c443a758e0067376bc77d609a0e45759aab0dc579f296879c6bff7a0555a1753/reduced.png" alt="MATAROA Tharrsos — image 17" loading="lazy"&#62;
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      &#60;img src="https://freight.cargo.site/t/original/i/e8e044c3cf5326228f67c7996df6d6e0e54a19c78cacdc3bbdec03a5ab040945/PXL_20250515_160123809.png" alt="MATAROA Tharrsos — image 8" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/60d76b73086c68e60f36a6f3f343a14ddc071df46cec80fe2a1e1e728c9311ad/GOPR1047.png" alt="MATAROA Tharrsos — image 5" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/666987809750ecf891cbfbb06c70bd61e0a6767820c85056cce03c23ca84df5c/PXL_20250517_130914160.png" alt="MATAROA Tharrsos — image 12" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/6a81e32627eb592bc707b1bac81ac409cbafea336a2c41c6f8bbc3ede59e8e43/PXL_20250515_113307618.png" alt="MATAROA Tharrsos — image 7" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/330098a898e5319ab0876262096a8e9286e797deaa83789e177d79f442f96ef8/PXL_20250515_161332670.MP.png" alt="MATAROA Tharrsos — image 10" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/4f73c9fed5f61a62ae6e3934ed7910ea3e2499cd94f05945184ca08732d543ba/PXL_20250515_162842632.png" alt="MATAROA Tharrsos — image 11" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/9b19e827d1f8b2239b2d978667f68fc2201183c7802b205d3b9520b7fa903139/stamp-20250517_162421.png" alt="MATAROA Tharrsos — image 18" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/9ce9325f7de3e9bb5cc4add7d01350e738d090385f82d908aad9177ad57ea59c/20250515_213103.png" alt="MATAROA Tharrsos — image 1" loading="lazy"&#62;
      &#60;img src="https://freight.cargo.site/t/original/i/931ba3209fd056bc607362a084be7b928edd04c1ab16acd5b7a13573ae672565/PXL_20250515_161323512.MP.png" alt="MATAROA Tharrsos — image 9" loading="lazy"&#62;
    
  



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/* Override Cargo image sizing inside archive previews */

.desktop-archive .archive-preview-image img {
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.desktop-archive .archive-preview-image,
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}

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}

/* Preserve the original homepage on mobile */
.original-mobile-home {
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}

@media (max-width: 767px) {
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  .original-mobile-home {
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}

body.mobile .desktop-archive {
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body.mobile .original-mobile-home {
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}

@media (prefers-reduced-motion: reduce) {
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}
/* Gentle fade-in for archive images */

@keyframes archiveImageAppear {
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  to {
    opacity: 1;
  }
}

.desktop-archive .archive-preview-image img {
  animation: archiveImageAppear 0.45s ease-in-out;
}

@media (prefers-reduced-motion: reduce) {
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}

/* Adjust image position without cropping */

.desktop-archive .archive-preview-image {
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}
/* MATAROA-only direct project preview */
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.desktop-archive .mataroa-direct-preview h1 { text-align: center; font-size: clamp(22px, 2.4vw, 36px); margin: 0 0 20px; }
.desktop-archive .mataroa-direct-preview p { line-height: 1.6; margin: 0 0 26px; }
.desktop-archive .mataroa-direct-preview .mataroa-centered { text-align: center; }
.desktop-archive .mataroa-direct-preview .mataroa-right { text-align: right; }
.desktop-archive .mataroa-direct-preview .mataroa-picture { margin: 20px 0 36px; text-align: center; }
.desktop-archive .mataroa-direct-preview .mataroa-picture img { display: block; max-width: 100% !important; width: auto !important; height: auto !important; margin: 0 auto; }
.desktop-archive .mataroa-direct-preview .mataroa-gallery { display: grid; grid-template-columns: 1fr; gap: 16px; }
.desktop-archive .mataroa-direct-preview a { color: inherit; text-decoration: underline; }

.desktop-archive .brave-preview .brave-gallery { display: grid; grid-template-columns: repeat(2, minmax(0, 1fr)); gap: 12px; align-items: start; margin: 18px 0 32px; }
.desktop-archive .brave-preview .brave-gallery img { display: block; width: 100%; height: auto; object-fit: contain; }
.desktop-archive .brave-preview p { text-align: left; word-spacing: normal; }





.desktop-archive .thess-preview p { text-align:left !important; word-spacing:normal; color:#fff; }
.desktop-archive .thess-preview .thess-opening-image { margin:18px 0 24px; text-align:center; }
.desktop-archive .thess-preview .mataroa-picture { margin:14px 0; }
.desktop-archive .thess-preview .thess-question { text-align:center; font-size:1.15em; line-height:1.5; margin:22px 0; }
.desktop-archive .thess-preview .thess-note { text-align:center !important; font-size:12px; opacity:.75; }
.desktop-archive .thess-preview .thess-video { width:100%; aspect-ratio:16/9; margin:20px 0 28px; }
.desktop-archive .thess-preview .thess-video iframe { width:100%; height:100%; border:0; }

/* Phosphene: retain the experimental title without excessive blank space. */

.desktop-archive .shedding-preview p { text-align:left !important; word-spacing:normal; color:#fff !important; opacity:1; }
.desktop-archive .shedding-preview .shedding-statement { margin:22px 0 30px; line-height:1.65; }
.desktop-archive .shedding-preview .shedding-subtitle { text-align:center !important; }
.desktop-archive .shedding-preview .shedding-credits { font-size:12px; opacity:.75; }
.desktop-archive .shedding-preview .shedding-video { position:relative; width:100%; aspect-ratio:16/9; margin:18px 0; }
.desktop-archive .shedding-preview .shedding-video iframe { width:100%; height:100%; border:0; }
.desktop-archive .phosphene-preview p { text-align:left; word-spacing:normal; }
.desktop-archive .phosphene-preview .phosphene-title { text-align:center; overflow-wrap:anywhere; margin:10px 0 28px; }
.desktop-archive .phosphene-preview .phosphene-glitch { font-size:12px; line-height:1.35; opacity:.7; overflow-wrap:anywhere; }
.desktop-archive .phosphene-preview video { display:block; width:100%; height:auto; max-height:440px; object-fit:contain; margin:0 auto 24px; }
.desktop-archive .phosphene-preview .phosphene-note { opacity:.6; text-align:center; }

/* Balk-Out: consistent text, paired closing images and subtle moving line. */
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.desktop-archive .balk-preview .balk-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:12px; margin:18px 0 16px; }
.desktop-archive .balk-preview .balk-gallery img { width:100%; height:auto; display:block; object-fit:contain; }
.desktop-archive .balk-preview .balk-motion { overflow:hidden; margin:0 0 24px; }
.desktop-archive .balk-preview .balk-motion span { display:inline-block; animation:balk-bounce 5s ease-in-out infinite alternate; white-space:nowrap; }
@keyframes balk-bounce { from { transform:translateX(0); } to { transform:translateX(45px); } }
@media (prefers-reduced-motion: reduce) { .desktop-archive .balk-preview .balk-motion span { animation:none; } }

/* Maria Callas’ Ear: compact gallery and readable paragraphs. */
.desktop-archive .maria-preview p { text-align:left; word-spacing:normal; }
.desktop-archive .maria-preview .maria-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:12px; margin:18px 0 28px; }
.desktop-archive .maria-preview .maria-gallery img { width:100%; height:auto; display:block; object-fit:contain; }

/* Empire: compact image groups and readable text. */
.desktop-archive .empire-preview p { text-align:left; word-spacing:normal; }
.desktop-archive .empire-preview .empire-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:12px; margin:18px 0 28px; }
.desktop-archive .empire-preview .empire-gallery img { width:100%; height:auto; display:block; object-fit:contain; }
.desktop-archive .empire-preview .empire-gallery-three { grid-template-columns:repeat(3,minmax(0,1fr)); }

/* Von Zart bis Hart: side-by-side videos and compact image gallery. */
.desktop-archive .von-videos { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:18px; margin:18px 0 30px; align-items:start; }
.desktop-archive .von-videos video { display:block; width:100%; height:auto; aspect-ratio:1/1; object-fit:contain; background:#000; }
.desktop-archive .von-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:14px; }
.desktop-archive .von-gallery .mataroa-picture { margin:0; }
.desktop-archive .von-gallery img { width:100% !important; height:auto !important; }
.desktop-archive .von-preview .von-credit { font-size:0.85em; }
/* C-na-Ψ project-specific layout */
.desktop-archive .cna-hero { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:18px; align-items:center; margin:20px 0 30px; }
.desktop-archive .cna-hero img { display:block; max-width:100% !important; height:auto !important; margin:auto; }
.desktop-archive .cna-hero .cna-hand { max-width:70% !important; }
.desktop-archive .cna-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:14px; margin-top:28px; }
.desktop-archive .cna-gallery img { display:block; width:100% !important; height:auto !important; }
.desktop-archive .cna-video { width:100%; aspect-ratio:16/9; border:0; display:block; margin:25px auto; }
/* Cellfee: direct preview, original image order and centered presentation. */
.desktop-archive .cellfee-preview .cellfee-subtitle { text-align:center; color:rgba(255,255,255,.53); margin-top:-12px; }
.desktop-archive .cellfee-preview .cellfee-intro { text-align:center; }
.desktop-archive .cellfee-preview .cellfee-residency { text-align:left; }
.desktop-archive .cellfee-preview .cellfee-materials { color:rgba(242,242,242,.71); font-size:.85em; }
.desktop-archive .cellfee-preview .cellfee-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:14px; margin:22px 0; }
.desktop-archive .cellfee-preview .cellfee-gallery img { display:block; width:100% !important; height:auto !important; }
/* Tharrsos: two muted looping videos and original gallery sequence. */
.desktop-archive .tharrsos-preview .tharrsos-video { display:block; width:100%; height:auto; max-height:420px; object-fit:contain; margin:16px auto 28px; background:#000; }
.desktop-archive .tharrsos-preview .tharrsos-gallery { display:grid; grid-template-columns:1fr; gap:18px; margin-top:22px; }
.desktop-archive .tharrsos-preview .tharrsos-gallery img { display:block; max-width:100% !important; width:auto !important; height:auto !important; margin:0 auto; }
.desktop-archive .tharrsos-preview .tharrsos-gallery video { margin:0 auto; }

/* Re:souvenir: original two opening images and four-image gallery. */
.desktop-archive .resouvenir-preview .resouvenir-pair,
.desktop-archive .resouvenir-preview .resouvenir-gallery {
  display: grid;
  grid-template-columns: repeat(2, minmax(0, 1fr));
  gap: 12px;
  margin: 18px 0 28px;
}
.desktop-archive .resouvenir-preview figure { margin: 0; min-width: 0; }
.desktop-archive .resouvenir-preview img { display: block; width: 100%; height: auto; object-fit: contain; }
.desktop-archive .resouvenir-preview p { text-align: left !important; }
.desktop-archive .resouvenir-preview .resouvenir-credits { text-align: left !important; }
.desktop-archive .resouvenir-preview ol { padding-left: 24px; margin: 0 0 24px; }
.desktop-archive .resouvenir-preview li { margin: 0 0 9px; }
.desktop-archive .resouvenir-preview .resouvenir-video { position: relative; width: 100%; aspect-ratio: 16 / 9; margin: 24px 0 30px; }
.desktop-archive .resouvenir-preview .resouvenir-video iframe { position: absolute; inset: 0; width: 100%; height: 100%; border: 0; }


/* Photograms: original opening image, statement and two paired image rows. */
.desktop-archive .photograms-preview p { text-align:left !important; word-spacing:normal; }
.desktop-archive .photograms-preview .photograms-gallery { display:grid; grid-template-columns:repeat(2,minmax(0,1fr)); gap:12px; margin:18px 0 28px; }
.desktop-archive .photograms-preview .photograms-gallery img { display:block; width:100%; height:auto; object-fit:contain; }

/* Erroneous Process: readable statement, image sequence and responsive film. */
.desktop-archive .erroneous-preview p { text-align:left !important; word-spacing:normal; }
.desktop-archive .erroneous-preview .erroneous-intro { text-align:center !important; }
.desktop-archive .erroneous-preview .erroneous-credits { line-height:1.65; }
.desktop-archive .erroneous-preview .erroneous-film { position:relative; width:100%; aspect-ratio:16/9; margin:24px 0; }
.desktop-archive .erroneous-preview .erroneous-film iframe { position:absolute; inset:0; width:100%; height:100%; border:0; }
.desktop-archive .erroneous-preview a { color:#9cb1e4; }


/* Printmaking: each work is paired with its original caption. */
.desktop-archive .printmaking-preview .printmaking-work { margin: 0 0 27px; text-align:center; }
.desktop-archive .printmaking-preview .printmaking-work img { display:block; max-width:100%; width:auto; height:auto; margin:0 auto 9px; }
.desktop-archive .printmaking-preview .printmaking-work figcaption { color:#fff; font-size:.85em; line-height:1.5; text-align:center; }


/* Desktop proportions: widen the navigation and project preview without
   changing the viewport-fitted height or the sculpture image itself. */
@media (min-width: 768px) {
  .desktop-archive {
    width: calc(100% + clamp(90px, 8vw, 155px));
    max-width: calc(100vw - 25px);
    grid-template-columns: 225px minmax(0, 1fr);
  }
  .desktop-archive .archive-nav { padding-right: 18px; }
  .desktop-archive .archive-projects a {
    width: auto;
    max-width: 100%;
    text-align: left !important;
    word-spacing: normal !important;
    letter-spacing: normal !important;
  }
  .desktop-archive .mataroa-direct-preview.kinesis-preview p,
  .desktop-archive .mataroa-direct-preview.shedding-preview p,
  .desktop-archive .mataroa-direct-preview.kinesis-preview .mataroa-picture,
  .desktop-archive .mataroa-direct-preview.shedding-preview .shedding-statement {
    text-align: left !important;
    text-align-last: left !important;
    word-spacing: normal !important;
    letter-spacing: normal !important;
    white-space: normal !important;
  }
}

/* Keep the desktop homepage within the visible browser window.
   Project previews and navigation still scroll independently. */
@media (min-width: 768px) {
  html:has(#desktop-archive),
  body:has(#desktop-archive) {
    overflow-y: hidden !important;
  }
}

/* Keep all desktop archive panels scrollable, but hide their scrollbar tracks. */
.desktop-archive .archive-nav,
.desktop-archive .mataroa-direct-preview,
.desktop-archive #archive-preview-frame {
  scrollbar-width: none !important; /* Firefox */
  -ms-overflow-style: none !important; /* legacy Edge */
}
.desktop-archive .archive-nav::-webkit-scrollbar,
.desktop-archive .mataroa-direct-preview::-webkit-scrollbar,
.desktop-archive #archive-preview-frame::-webkit-scrollbar {
  display: none !important;
  width: 0 !important;
  height: 0 !important;
}

/* Cursor-reactive walking fly experiment: only the central desktop preview. */
.desktop-archive .archive-swarm-overlay {
  position:absolute; inset:0; width:100%; height:100%;
  z-index:30; pointer-events:none; opacity:1;
}
@media (prefers-reduced-motion: reduce) {
  .desktop-archive .archive-swarm-overlay { display:none !important; }
}

/* Category-hover preview reliability: applied only on desktop. */
@media (min-width: 768px) {
  #desktop-archive .archive-preview-image {
    visibility: visible;
    opacity: 1;
  }
  #desktop-archive .archive-preview-image img {
    display: block !important;
    visibility: visible !important;
    opacity: 1 !important;
  }
}



(function () {
  function initArchive() {
    const root = document.getElementById('desktop-archive');
    if (!root &#124;&#124; root._archiveInitialized) return;
    root._archiveInitialized = true;

    const imgBox = root.querySelector('#archive-preview-image');
    const oldFrame = root.querySelector('#archive-preview-frame');
    const preview = root.querySelector('.archive-preview');
    const caption = root.querySelector('#archive-preview-caption');
    const reducedMotion = window.matchMedia('(prefers-reduced-motion: reduce)');
    // Cursor-reactive single fly: a procedural walking and visual-threat escape model.
    // Uses the four supplied fly PNGs; no external AI or tracking service.
    const flyUrls = [
      'https://freight.cargo.site/t/original/i/ed9437acc7623434e7faa7dbdc30232dee95628845319a3fd3dec6817af95e8e/fly-small.png',
      'https://freight.cargo.site/t/original/i/bbfa27abeb0f2a355a2345dc01c4594e583c9b83e5d1797a4a089592a83e5f7f/fly-small.png',
      'https://freight.cargo.site/t/original/i/bab9e9110a510ff173d537a9bacb2d98a29e29a55b2eb2a68432533ac60f431a/fly-small.png',
      'https://freight.cargo.site/t/original/i/28fdbc7b9992d9ca8dd17e89f9fc06409e80ce5a1bd994fcd4e3759509c0cef6/fly-small.png'
    ];
    const flies = flyUrls.map(url =&#62; {
      const img = new Image();
      img.decoding = 'async';
      img.src = url;
      return img;
    });
    const flyCanvas = document.createElement('canvas');
    flyCanvas.className = 'archive-swarm-overlay';
    flyCanvas.setAttribute('aria-hidden', 'true');
    preview.appendChild(flyCanvas);
    const flyCtx = flyCanvas.getContext('2d');
    let flyFrame = 0;
    let lastFlyKey = '';
    let fly = null;
    let flyPhase = 'idle';
    let phaseEnd = 0;
    let pendingArrival = false;
    let lastTick = 0;
    let flyW = 1, flyH = 1;
    // Cursor is a looming visual threat: track its speed and anticipated approach.
    const threat = {x:-9999,y:-9999,vx:0,vy:0,seen:0,inside:false};
    let lastEscape = -Infinity;
    window.addEventListener('pointermove', event =&#62; {
      if (event.pointerType === 'touch') return;
      const rect = preview.getBoundingClientRect();
      const now = performance.now();
      const x = event.clientX - rect.left, y = event.clientY - rect.top;
      const elapsed = Math.max(12, now - threat.seen);
      if (threat.seen &#38;&#38; elapsed &#60; 200) {
        const blend = .48;
        threat.vx = threat.vx*(1-blend) + ((x-threat.x)/elapsed*1000)*blend;
        threat.vy = threat.vy*(1-blend) + ((y-threat.y)/elapsed*1000)*blend;
      } else { threat.vx=0; threat.vy=0; }
      threat.x=x; threat.y=y; threat.seen=now;
      threat.inside = x&#62;=0 &#38;&#38; y&#62;=0 &#38;&#38; x a + Math.random() * (b-a);
    const clamp = (v,a,b) =&#62; Math.max(a,Math.min(b,v));
    function sizeFlyCanvas() {
      const bounds = preview.getBoundingClientRect();
      flyW = Math.max(1, Math.round(bounds.width));
      flyH = Math.max(1, Math.round(bounds.height));
      const dpr = Math.min(window.devicePixelRatio &#124;&#124; 1, 2);
      flyCanvas.width = Math.round(flyW*dpr);
      flyCanvas.height = Math.round(flyH*dpr);
      flyCtx.setTransform(dpr,0,0,dpr,0,0);
    }
    function chooseBehavior(now) {
      const r = Math.random();
      if (r &#60; .26) {
        flyPhase = 'rest';
        phaseEnd = now + random(350,1300);
      } else if (r &#60; .45) {
        flyPhase = 'groom';
        phaseEnd = now + random(500,1100);
      } else if (r &#60; .84) {
        flyPhase = 'walk';
        phaseEnd = now + random(450,1450);
        fly.turn = random(-1.5,1.5);
        fly.speed = random(17,56);
      } else {
        flyPhase = 'dart';
        phaseEnd = now + random(160,400);
        fly.turn = random(-2.8,2.8);
        fly.speed = random(90,175);
      }
    }
    function spawnFly(now) {
      sizeFlyCanvas();
      const side = Math.floor(Math.random()*4);
      const margin = 24;
      const x = side===0 ? -margin : side===1 ? flyW+margin : random(10,flyW-10);
      const y = side===2 ? -margin : side===3 ? flyH+margin : random(10,flyH-10);
      const targetX = random(flyW*.2,flyW*.8);
      const targetY = random(flyH*.2,flyH*.8);
      fly = {x,y,angle:Math.atan2(targetY-y,targetX-x),speed:random(160,270),
        turn:0, size:random(21,29), image:flies[Math.floor(Math.random()*flies.length)],
        phase:random(0,Math.PI*2), wobble:random(2,6), exitX:0,exitY:0};
      flyPhase = 'arrive';
      phaseEnd = now + 650;
      flyCanvas.style.display = 'block';
    }
    function exitFly(now) {
      if (!fly) { pendingArrival = true; return; }
      // Escape toward a randomly chosen edge rather than simply fading away.
      const edge = Math.floor(Math.random()*4);
      fly.exitX = edge===0 ? -65 : edge===1 ? flyW+65 : random(0,flyW);
      fly.exitY = edge===2 ? -65 : edge===3 ? flyH+65 : random(0,flyH);
      flyPhase = 'leave';
      phaseEnd = now + 460;
    }
    function evadePointer(now, dt) {
      if (!fly &#124;&#124; flyPhase==='leave' &#124;&#124; flyPhase==='arrive' &#124;&#124; !threat.inside &#124;&#124; now-threat.seen&#62;240) return;
      const speed = Math.hypot(threat.vx,threat.vy);
      const dx=fly.x-threat.x, dy=fly.y-threat.y;
      const distance=Math.hypot(dx,dy);
      // An approaching cursor is threatening before it actually touches the fly.
      const approach = distance&#62;1 ? (threat.vx*dx+threat.vy*dy)/distance : 0;
      const horizon = clamp(.10+approach/2200,.10,.25);
      const futureX=threat.x+threat.vx*horizon;
      const futureY=threat.y+threat.vy*horizon;
      const futureDistance=Math.hypot(fly.x-futureX,fly.y-futureY);
      const dangerRadius = 72 + Math.min(65,speed*.10);
      const danger = distance55 &#38;&#38; futureDistance180) {
        lastEscape=now;
        let awayX=fly.x-futureX, awayY=fly.y-futureY;
        if (Math.hypot(awayX,awayY) { panel.style.display = 'none'; });
      hideFrames();
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildErroneous();
      erroneousPanel.style.display = 'block';
      erroneousPanel.scrollTop = 0;
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = erroneousPanel.scrollHeight - erroneousPanel.clientHeight;
          if (erroneousPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          erroneousPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    // Printmaking: all eight original artworks with their captions.
    const printmakingPanel = document.createElement('div');
    printmakingPanel.className = 'mataroa-direct-preview printmaking-preview';
    printmakingPanel.style.display = 'none';
    preview.insertBefore(printmakingPanel, caption);
    let printmakingBuilt = false;

    function buildPrintmaking() {
      if (printmakingBuilt) return;
      printmakingBuilt = true;
      printmakingPanel.innerHTML = `
        Printmaking
        &#60;img src="https://freight.cargo.site/t/original/i/d77cd792b49fd96962596e36063f135f5081c4e712e484a091e6c5fbbd1ce586/89530937_234085174301346_4124759958262644736_n.jpg" alt="Printmaking — artwork 1" loading="lazy"&#62;Cadavre Exquis (Exquisite Corpse), 2020Detail of print ‘’93’’
        &#60;img src="https://freight.cargo.site/t/original/i/811ed7e207eded4cbe2994873138bcf4e23b924704f9d7a46c2ec6cd6a4540c6/0_LM.jpg" alt="Printmaking — artwork 2" loading="lazy"&#62;White UntitledSoft varnis, aquatint, 2020
        &#60;img src="https://freight.cargo.site/t/original/i/a39d244fb86ed383d3a8e4de66ac8d688ada7a7c65fbc1d6aa1a723735cac6ee/Black-Without-A-Title-----.jpg" alt="Printmaking — artwork 3" loading="lazy"&#62;Black UntitledSoft varnish, aquatint, 2020
        &#60;img src="https://freight.cargo.site/t/original/i/80dfbb63a9d39d0befd6b3e9d3516716682e1a7439d6f3cc32699f978439ce0b/1_LM.jpg" alt="Printmaking — artwork 4" loading="lazy"&#62;Experiment with magnet and fruitsSoft varnish, aquatint, 2020
        &#60;img src="https://freight.cargo.site/t/original/i/5472c4359e6286f129b4dab1a31944430014053b493905a35b6fd47ac11fdb6a/3_LM.jpg" alt="Printmaking — artwork 5" loading="lazy"&#62;Self PortraitEx Libris, aquatint, 2019-2020
        &#60;img src="https://freight.cargo.site/t/original/i/af1a006e010bb3271c5609c778137c9d473e63f53eae11e4fb9c7bb3079c5665/2_LM.jpg" alt="Printmaking — artwork 6" loading="lazy"&#62;Postcard design, aquatint,2020
        &#60;img src="https://freight.cargo.site/t/original/i/6b760ca9153a1f27ca5945c0ae344e6e17da492feefe7743da58828fcad02ea0/2IMG_20210216_211316.jpg" alt="Printmaking — artwork 7" loading="lazy"&#62;Postcard design, aquatint,2020
        &#60;img src="https://freight.cargo.site/t/original/i/6856b55390228bac45ccd3bf3ad76ff6ee2c4209dd205487355a01164e88a73e/4_LM.jpg" alt="Printmaking — artwork 8" loading="lazy"&#62;Comment on Courbet, etching, 2019`;
    }

    function showPrintmaking() {
      selectedUrl = null;
      stopMotion();
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; { panel.style.display = 'none'; });
      hideFrames();
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildPrintmaking();
      printmakingPanel.style.display = 'block';
      printmakingPanel.scrollTop = 0;
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = printmakingPanel.scrollHeight - printmakingPanel.clientHeight;
          if (printmakingPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          printmakingPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    // Photograms: direct preview in Printmaking.
    const photogramsPanel = document.createElement('div');
    photogramsPanel.className = 'mataroa-direct-preview photograms-preview';
    photogramsPanel.style.display = 'none';
    preview.insertBefore(photogramsPanel, caption);
    let photogramsBuilt = false;

    function buildPhotograms() {
      if (photogramsBuilt) return;
      photogramsBuilt = true;
      photogramsPanel.innerHTML = `
        Photograms
        &#60;img src="https://freight.cargo.site/t/original/i/2d3c60195a8183e691289886184966a630b45f3193ab351bac8656e1fad3f525/5_LM.jpg" alt="Photograms — image 1" loading="lazy"&#62;
        Walter Benjamin states that "A work of art as a prototype, is distinguished by its metaphysical quality, the aura.'' With technological reproduction, we have on the one hand the original - the work itself- as non-existent in time and space and on the other hand the democratization of art, through the colourless access for all.
        The aura of a work of art gradually disappears, and the means are given divine powers.
        &#60;img src="https://freight.cargo.site/t/original/i/85db50bda52d04265675ef142812da40bc568d34f0414b6373bef38eaf7f7404/7_LM.jpg" alt="Photograms — image 2" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/0448a14f3f554d835dbeb63ac16986d88e95845aa8e3ef4c970386b1882c95e2/8_LM.jpg" alt="Photograms — image 3" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/cb5f256c908f5af7cbd6004c662b7dbd29716ff664d3290a48e45879fca99279/6_LM.jpg" alt="Photograms — image 4" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/2d5b1b38a576906571833e5dcee53f21b9ea646c97cc9685f0a25bdb2fc86fab/9_LM.jpg" alt="Photograms — image 5" loading="lazy"&#62;`;
    }

    function showPhotograms() {
      selectedUrl = null;
      stopMotion();
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; { panel.style.display = 'none'; });
      hideFrames();
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildPhotograms();
      photogramsPanel.style.display = 'block';
      photogramsPanel.scrollTop = 0;
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = photogramsPanel.scrollHeight - photogramsPanel.clientHeight;
          if (photogramsPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          photogramsPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    // Thessaloniki report 2016-2022: direct preview in Digital Works.
    const thessPanel = document.createElement('div');
    thessPanel.className = 'mataroa-direct-preview thess-preview';
    thessPanel.style.display = 'none';
    preview.insertBefore(thessPanel, caption);
    let thessBuilt = false;

    function buildThess() {
      if (thessBuilt) return;
      thessBuilt = true;
      thessPanel.innerHTML = `
        Thessaloniki report 2016-2022
        &#60;img src="https://freight.cargo.site/t/original/i/99414cb5fe32bcdf8ce07995ecf6ce1123dbedf1206c00d016d6cd5beed1e718/Guernica.jpg" alt="Thessaloniki report — opening image" loading="eager"&#62;
        By watching a live public webcam recording the center of Thessaloniki, I am observing the constant transformation of public space. I want to witness and reconstruct an image of the city, not only of my own memories but of a collective memory that ultimately shapes it.
        The ‘’Arch of Galerius’’ widely known as ‘’Kamara’’ is the central point and one of the most important Roman monuments of the city. Even after 1700 years, it remains a symbol and part of daily life. It is used as a meeting point, a place of political and cultural gatherings, a touristic attraction, a drug trafficking area and as ‘’playground’’ for bag-snatchers and lovers alike.
        I ask one simple question:
        What is the first image that comes to mind when you think of Thessaloniki?
        The answers vary and reveal the respondents' relations to the city. The hypothesis that ''Kamara'', the Roman triumphal monument, will prevail as an answer is confirmed and therefore takes the lead in each composition. However, all answers are included in each artwork for the creation of a new historicity.
        Each piece is unique and has been made during the 5 years I lived in Thessaloniki. All documents and videos are from my personal archive.
        
        &#60;img src="https://freight.cargo.site/t/original/i/3570220ed60e18b7f4f835205c4ccaf995825359b85d33a31f7fbe0750a234f4/DSC_0051.png" alt="Thessaloniki report — artwork 1" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/8dcd3c1c027c63a3093e13c1a9339be97887b8117beb937aa51e52aceeb6d8dc/IMG_20210317_201737.jpg" alt="Thessaloniki report — artwork 2" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/f5b861c9115d7e9bccd02bce504548088e38547ce373883be506aa9802b0bcb9/20220911231004_00156.png" alt="Thessaloniki report — artwork 3" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/3d0ed59b5f85b67cd0754fb700dd36fd25657ac7a509e51ba65791d63b939c67/20220911231004_00046.png" alt="Thessaloniki report — artwork 4" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/5f3d7d3199c7f791e74eaaefc10d9e14dc64d1f91cccc7505c02c82ec7d00338/IMG_20210302_183159.jpg" alt="Thessaloniki report — artwork 5" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/d6b67989d1e2c760709ae267f8d3830925e3c6122df9050b9b70e099b361c885/IMG_20210411_193710.jpg" alt="Thessaloniki report — artwork 6" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/c0c98bece59ee48ab983a04ea09fd25455b4e182bd228884081cf79bc8f1295c/20220911231004_00180.png" alt="Thessaloniki report — artwork 7" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/8a1d25cb98d4461580f7b7b3a01f863a4cd977c31cd5b3cba6bcd28c694ba743/20220911231004_00079.png" alt="Thessaloniki report — artwork 8" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/9fcfb8795bca58110cad447506f7953ee98c8e0e9bf7d72b8340d81935c4eb62/IMG_20210301_161007.jpg" alt="Thessaloniki report — artwork 9" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/e9bb485777a9966ec286de6014f0031809d0663e2dcdecd659af4f6995b162ca/IMG_20210317_201112.jpg" alt="Thessaloniki report — artwork 10" loading="lazy"&#62;
        &#60;img src="https://freight.cargo.site/t/original/i/77dad7a321db18c9b8a16ee43fbd75c62ae337a97383f44526ceea4e2d24e43d/1.gif" alt="Thessaloniki report — animated image" loading="lazy"&#62;`;
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    // Shedding Yesterday’s Limbs: direct preview in Digital Works.
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        Shedding Yesterday’s Limbs
        A film by Leandros and Ilias
        &#60;img src="https://freight.cargo.site/t/original/i/d79fa286d6a2d33b0422e6dba4506477a81c79d3620afe47e6abdd297d23b06c/MAIN_2.gif" alt="Shedding Yesterday’s Limbs — image 1" loading="lazy"&#62;
        In which chamber of our mind are our thoughts hatched? What forces rule the subconscious? External stimuli, sounds and images shape your life experience. Are your choices really yours, is free will truly in your grasp? Now we look back in the linear algebra of time and try to find the synapsis between those empty shells and what remains.
&#60;img src="https://freight.cargo.site/t/original/i/b3d0cf6e7dabb3ecabb8744f9a5b4547cf2c2147f623809d3fe2a1c3c92cc78c/MAIN.00_01_00_12.Still015.png" alt="Shedding Yesterday’s Limbs — image 2" loading="lazy"&#62;
&#60;img src="https://freight.cargo.site/t/original/i/8f2bd9f3092d3c12beb6dec63ca3102b83f1ba324d3ce22c4746c7b6167b3669/MAIN.00_02_25_21.Still016.png" alt="Shedding Yesterday’s Limbs — image 3" loading="lazy"&#62;
&#60;img src="https://freight.cargo.site/t/original/i/34eb38970f28acdae75b2a49a2f30cbd01bb4d5f982b99281bd4ffbd49d8e7c7/MAIN.00_02_53_18.Still017.png" alt="Shedding Yesterday’s Limbs — image 4" loading="lazy"&#62;
&#60;img src="https://freight.cargo.site/t/original/i/b1e335eee757330f3a9d1dc05b2584af39aae8dcc32088becf997fc3c123cffe/MAIN.00_03_54_11.Still018.png" alt="Shedding Yesterday’s Limbs — image 5" loading="lazy"&#62;
&#60;img src="https://freight.cargo.site/t/original/i/b76b4dd4c914614037aeb2a4fd861f92547e79907b5616b1231375be84382b2e/MAIN.00_05_17_00.Still020.png" alt="Shedding Yesterday’s Limbs — image 6" loading="lazy"&#62;
&#60;img src="https://freight.cargo.site/t/original/i/71411bb8ff1e90a5c8240560079a1785fff9f46827974c3f9fc9527563ac22e5/MAIN.00_04_17_28.Still019.png" alt="Shedding Yesterday’s Limbs — image 7" loading="lazy"&#62;
        AI poem adaption, director of photography, editing, visual effects by LeandrosOriginal poem, music and sound design by IliasSpecial thanks to Xristina
        `;
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          P̴h̸o̷s̴p̷h̶e̵n̷e̶ ⊙
          PHOSPHENE
          ⊙ e̶n̵e̷h̸p̷s̶o̵h̸P̴
        
        A short movie about memories that linger like ghostly whispers, seeking permanence in an ever-changing world…memories we try to wash away.
        Phosphene is a passionate post avant-garde piece leading to the complete emptiness of mind.
        Performing : @___aurora , Sound : Ilias StamPremiering @paxosbiennale
        &#60;img src="https://freight.cargo.site/t/original/i/b41193ad0fe2d9955b40333a6f3e7a09ea2f491776631c811bbc58e49561d278/square.png" alt="Phosphene — image 6" loading="lazy"&#62;
        A phosphene is the phenomenon of seeing light without light entering the eye. The word phosphene comes from the Greek words phos (light) and phainein (to show).`;
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        Balk-Out
        &#60;img src="https://freight.cargo.site/t/original/i/bd7ec2da3191cfba265dfee92529a8a5df6a41479bd19430f95cfaf0d01ca3e4/Balkout--feet-won-t-stop--.jpg" alt="Balk-Out — image 9" loading="lazy"&#62;
        What happens when we are disembodied through circumstances that affect us and force us to immigrate? What are the elements that become unhinged along the way? Always surrounded by death, we seek to understand it, moving forward and listening to our human vessel and its creations. Sculpting creates free space. Every statement in its language remains eternal, and that is the value it seeks to approach. It creates a world upon a world ready to be inhabited. However, we notice that it is the first to be lost in modern reality. It cannot return to its primal state, and it does not fit in rooms of improvement (like a film).
        For someone to be able to look into a whole, all they must do is stop observing;
        but not moving.
        
          &#60;img src="https://freight.cargo.site/t/original/i/3fc2e1c7c39070dc462702a4436d70c115e1e5a9edf02e2a851e935a3414ed30/bwDSC_0294.jpg" alt="Balk-Out — image 10" loading="lazy"&#62;
          &#60;img src="https://freight.cargo.site/t/original/i/4dd3036a9ead51ddf22476e4056753ad5bfe570dfd9efef38ba2759060e3d7df/DSC_0028.JPG-1.png" alt="Balk-Out — image 14" loading="lazy"&#62;
        
        Balkout (Feet won’t stop)clay, liquid glass, marble, 2020-2021`;
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    // Maria Callas’ Ear: direct preview.
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        Maria Callas’ Ear
        &#60;img src="https://freight.cargo.site/t/original/i/c1f5b236db493262d1ec3d29ba7b0c71fb6baf189c3996f9fd4ea93f3055212b/PXL_20230825_122551380.png" alt="Maria Callas’ Ear — image 2" loading="lazy"&#62;
        I embarked on a marble sculpture journey starting from the island of Tinos. The urge to return to traditional means of sculpture emerged on this so-called "Marble Island," and I managed to find a small workshop simply by asking the locals.
        As an ode to Maria Callas’ centenary, I carved an ear on a marble plate on the island. The transportation and finishing of the piece took place in Neochori Ithomi, Greece, where she was born. "Maria Callas’ Ear" is a submission for the new museum they are planning to establish to honor the diva.
        My work captures the essence of music and acoustic perception. This sculpture challenges the enduring nature of art and questions our tendencies to align with conventional narratives. It's an ode to those who break societal norms.
        &#60;img src="https://freight.cargo.site/t/original/i/ea10bfafcd3043d9bc2e7da1faa2703446933da5fb486e24e07839d2ff55b098/PXL_20230813_094029049.MP.png" alt="Maria Callas’ Ear — image 11" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/2f88c3a10f5461aacdd334dacbc09f4ecb8e4062642eca605eb5b85d39a6482d/PXL_20230820_094504738.png" alt="Maria Callas’ Ear — image 7" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/0164682e13e0d6c7053a0c53818a35a2cbee038f30bc2cb4895fd0cbe4ead8b4/PXL_20230820_094454449.png" alt="Maria Callas’ Ear — image 4" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/d838b74d09b08fa1fdb7be8396ad94d2852daf4cdec1b861c8fb342bfd72ff7f/PXL_20230820_1050449222.png" alt="Maria Callas’ Ear — image 8" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/c2fe85f10ea7931be68159606b73c91b8cd656b64318bf415c8d227d3cc9b385/PXL_20230826_134416533.png" alt="Maria Callas’ Ear — image 9" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/07f39334d134d6b1884ee512311162edf5aca49c1fb2fc1692fe97f4314e84d0/PXL_20230826_185124451.png" alt="Maria Callas’ Ear — image 12" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/baea56ecb629c832ee692358c0cf78c35da82563528ab13887138b3508d5a162/PXL_20230825_204524686.png" alt="Maria Callas’ Ear — image 3" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/3346b930f0bf567e73ae69b04f4be88bed14a848bcc3ee6de36eaccca366565e/PXL_20230827_124756952.png" alt="Maria Callas’ Ear — image 10" loading="lazy"&#62;`;
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    // The Empire's New Invisible Wardrobe: direct preview.
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        The Empire's New Invisible Wardrobe
        -A continuation of Andersen's Famous tale
        &#60;img src="https://freight.cargo.site/t/original/i/0e083e20eb423f1f10d5a69d4ef722de6008d0185d25c847a753053514acd11d/PXL_20250818_0032532294.png" alt="The Empire’s New Invisible Wardrobe — image 6" loading="lazy"&#62;
        Following the day when the Emperor marched in his “new clothes,” he felt deep shame. Remembering how the crowd laughed, he decided he would trick others to feel powerful again. Everyone in the kingdom knew the tailor had outsmarted him, and that made him furious. Eager for revenge, he ordered the tailor to make clothes fit for the poorest strangers.
        &#60;img src="https://freight.cargo.site/t/original/i/aab8742f86d09caf5a3a0299ef3b42ed820a5a1bdfd6133d9ceb075d56a0c807/PXL_20250818_0043407272.png" alt="The Empire’s New Invisible Wardrobe — image 9" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/2a07f5bffc93ef08ae59f9a01eafba2cff49ebdb7c9dca2c7c9061e9e12ee90a/PXL_20250818_0046417052.png" alt="The Empire’s New Invisible Wardrobe — image 10" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/d3b7e758d318b5705dceffda8fc1eb3ca2c23c1d6a2ad146a337a3bbd5cd0d69/PXL_20250818_0043285052.png" alt="The Empire’s New Invisible Wardrobe — image 8" loading="lazy"&#62;
        Poor immigrants, who carried their lives on their backs, were told they must wear them. At the Emperor’s command, the tailor spun threads not of silk...but of glass! Like chains, the glass clothes were heavy, yet they also sparkled in the sunlight. Every time the immigrants walked, the glitter caught the eyes of all who stared. Sneering people tried to laugh, but the shine became like mirrors, reflecting their cruelty. Then the laughers went blind, for the glass turned their mockery back upon them. In this way, the “Invisibles” were hidden by the state but shone with hidden power. Now the Emperor’s plan had failed, for what was meant as shame became strength. Every child who hears this continuation knows: the tale of the Emperor never truly ends.
        This project was supported by the @alexander.tutsek.stiftung
        &#60;img src="https://freight.cargo.site/t/original/i/f652ae3fa21348b99890a4bbfb8b3ef15759d875f0346a95e5aa1546f4967b99/My_Edit_4_exported_3003.jpg" alt="The Empire’s New Invisible Wardrobe — image 26" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/be702be468ce7fdff29e04f288044a8b12e5bab7294810f95416373923cf8bdc/My_Edit_5_exported_10176.jpg" alt="The Empire’s New Invisible Wardrobe — image 1" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/ec7f0b8244bc31906de6fef61f4312c292cd68faa138db93665ceb11394925ec/My_Edit_7_exported_24190.jpg" alt="The Empire’s New Invisible Wardrobe — image 18" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/715bfbe465d9f3f88551e181a74883be40f8904177a83dc636e3d73ee012e1fb/My_Edit_7_exported_39139.jpg" alt="The Empire’s New Invisible Wardrobe — image 17" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/3fd97cfeee1d964c234b40b396899e93d7713d32994a5bae61eb985be5bc0ab9/My_Edit_6_exported_21755.jpg" alt="The Empire’s New Invisible Wardrobe — image 2" loading="lazy"&#62;&#60;img src="https://freight.cargo.site/t/original/i/c75e98f2681f491ab35c254776a3cad8c2c6a5f37b5c0eba226f11803dd81403/My_Edit_4_exported_8541.jpg" alt="The Empire’s New Invisible Wardrobe — image 27" loading="lazy"&#62;
        P.S. The two side images are from Samos Island, Greece where thousands of immigrants arrive by boat. On Megalo Seitani Beach, we found remnants of their clothing.`;
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        Brave New World
        &#60;img src="https://freight.cargo.site/t/original/i/222e2f46fa650ae6c42a51d332daad6ccf29d71f71e6186eb40e190ddad04350/00136.jpg" alt="Brave New World — image 60"&#62;
        ‘’I am I and I wish I werent’’
        Installation inspired by Aldus Huxley’s Brave New World
        Henry Ford the creator and messianic figure of Huxley's dystopian world, is on the top of this ‘’cosmos’’. The sculpted main head reflects characteristics of existing political leaders ( such as Trump, Josip Broz Tito etc). Two halfprints - copies apearing on Ford’s side, create a triptych of hierarchy, which without any idividual identity, rules an infinite world of reproduction ( fetuses ) and consumption ( ‘’Soma’’ pills). A rusty metal spine reveals the connection between two realities.
        Credits:Installation: Marios – Leandros BasteasSound Design ( played by headphones): Athina Sotiroglou
        mixed medianeon, clay, wood, metal, mirror, glass
        
          &#60;img src="https://freight.cargo.site/t/original/i/be4ff7ed3e878f456a3f991fb6baad97f41fb447b1f1bf69ffb5ca6d2d650ac4/00135.png" alt="Brave New World — image 62"&#62;
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        Re:souvenir
        
          &#60;img src="https://freight.cargo.site/t/original/i/a18cb98094cac9cd3dc65177b94d2f3cb83b5036faa73a5344aa5b2c87e5308d/_ARI4485.jpg" alt="Zephyr INS 6"&#62;
          &#60;img src="https://freight.cargo.site/t/original/i/004e56037f1c1e50f3e05e638573d82be67d1aaf9feef46af4f8a40e48485e97/20190513154100411_0001.png" alt="Shepherd Lad KY 216"&#62;
        
        &#60;img src="https://freight.cargo.site/t/original/i/d5ef4a3eae591177c9471c7975dbc4f2fe5457231db013afb1222c7baa9a23df/20190513153717442_0001.jpg" alt="Re:souvenir — image 13"&#62;
        The event evolved into a two day experiential workshop, which was designed as an artistic research, around the concept of prosthetic memory. According to the academic Alison Lanchberg, who defines prosthetic memory in her dissertation ‘’ Prosthetic memory: the ethics and politics of memory in an age of mass culture’’ , the term refers to the memories of others, which we take on like prosthetic limbs. To make another's memory our own, we must go beyond the simple hearing of it, in a story we need a sensory experience. With this way, Lanchberg supports that empathy and solidarity can be built between people. During this workshop, our team approached this idea through a collective artistic endeavour and co-creation, which focused on the concept of a souvenir, and how it works as a means of reflection on a personal or collective memory.
        re:souvenir, Invitation for an urban walk:
        
          Stand outside
          Wait there till you see a cat go by.
          Follow the cat till it’s not longer possible
          When the cat is gone to a place you cannot follow, wait there and ask the people passing by : ‘’do you have cats?’’
          Try to keep the conversation going as long as you can
        
        Cats:Athina Kabouri,Marios - Leandros Basteas,Vasiliki Oikonomopoulou Papachronopoulou,Sophie PiperidouSKG Bridges Uprising Art &#38;amp; Culture Festival8 -12 May 2019CBK Rotterdam
        
        
          &#60;img src="https://freight.cargo.site/t/original/i/b3b2043e2361fb09ca70a977822bbee81b3385a8c64eda0261f5ee7856482a72/61842673_2286449441671776_8410890152892694528_n.jpg" alt="Re:souvenir — image 14"&#62;
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        Tharrsos
        
        ‘’Θάρρσος’’ (tharrsos) is a Greek portmanteau word, created by combining the two nouns ‘’θάρρος’’ (tharros, courage) and ‘’θράσος’’ (thrasos, audacity). These are the behavioural features of Musca Domestica, commonly known as a housefly. These pests enjoy eating and drinking, as if belonging to the bourgeoisie of each season. As a result, faecal matter is created almost continuously, reflecting the natural absorption of the modern, sleepless, endless world of production and consumption.
        Houseflies might be the most commonly encountered insect in our world, and are largely associated with humans, as they accompany them around the globe, being the cause of numerous deaths (they have been used as a component in Yagi bombs during WWII, being great carriers of harmful pathogenic micro-organisms, etc).
        I took over the space in the kitchen of the School of Fine and Applied Arts in Aristotle University to place these cohabitants in their place of action. I used the remains of a daily routine in my attempt to render them unapproachable and suffocating for the human being, while also using them as a reminder of the fluidity concerning the vicious cycle we call hunter and prey. Houseflies’ repulsiveness and passion for human waste are a reflection of those unconsciously rejected by the memorandum. We are what we shit.
        Sound Design : Reaktiv
        
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        CellFee
        Inspire Project 2021
        &#60;img src="https://freight.cargo.site/t/original/i/757cf5d39090e7b58320421194ffeca6e4854393051395f88e649927a011926e/DSC07241.jpg" alt="Cellfee — image 12"&#62;
        Inspire Project (Residency, Thessaloniki Gr)
        This year’s workshop titled “DOMΑ: From Plato’s cave to modern ‘reality’” (July 02-12 2021) set as its creative basis the simulation of the allegory of the cave today, through a collaborative creative artistic process aimed at highlighting the experiences, views and artistic pursuits of its participants; All the more so in a present, seemingly dystopian, due to the pandemic and the upheaval it has brought into our lives, but also creatively triggering.
        Which is the power and what’ s the purpose of an ever-increasing self-exposure in virtual space?How does one manage to extract the idea of eternity, from the ephemeral aspect of self?We can choose to remain bright, in translucent anthropomorphic cages.
        A new form of 'Panopticon', in which the captives remain in the center, with the ability to look through their cages and be observed by their surroundings, but remain locked.
        Don't forget to leave a commemt...
        MOMus
        
          &#60;img src="https://freight.cargo.site/t/original/i/60a9a7e7bbf8270392de741f52453f5b45d83f26c49d24f3adfd23c299ac108a/DSC07564.jpg" alt="Cellfee — image 3"&#62;
          &#60;img src="https://freight.cargo.site/t/original/i/accf8551b04e14c811bdb758772ab3a568918c4a68c65b3c8d50af81433702be/DSC07572.jpg" alt="Cellfee — image 2"&#62;
          &#60;img src="https://freight.cargo.site/t/original/i/67d0fe9b640f7cfdbc38ea0ab4af1cf9b3b0b312e5b36c571bb1d67980744363/DSC07590.jpg" alt="Cellfee — image 11"&#62;
          &#60;img src="https://freight.cargo.site/t/original/i/6aeb8c3066f215438435cbae9fe9c3de74127fd04e08c90fb1a1759cba0e92b8/DSC07247.jpg" alt="Cellfee — image 13"&#62;
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          &#60;img src="https://freight.cargo.site/t/original/i/a197ab794339964eaf4e370bc23ed29cdd425c7edf81c81ae9b2be70abf4032c/DSC04528.jpg" alt="Cellfee — image 6"&#62;
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        Metal, Neon, Mirrors, Mirror film, Paper, Oil pastels2m x 2m x 1,70m`;
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        C-na-Ψ
        
          &#60;img class="cna-hand" src="https://freight.cargo.site/t/original/i/f5755984581fd425944e1d286b40e328ea905b62ee2a0744b0a6166dc60f9f3f/DSC04185.JPG" alt="C-na-Ψ — image 20"&#62;
          &#60;img src="https://freight.cargo.site/t/original/i/1f73cee677d05740eaec1f83fd24183cb75979168f64493536d30d9438853bc1/_DSC0285.jpg" alt="C-na-Ψ — image 1"&#62;
        
        Sculpture creates free space. Based on Heideggerian philosophy, it is not used for anything but contemplation, which is the means of approaching freedom (Heidegger, p.102)1. Every statement in its language remains eternal. In materials such as stone or marble, where matter is removed, error does not allow a return to the original position. Here there are no Ctrl+Z’s as there are in digital designer rooms. The error remains apparent - honest and open to face-to-face confrontation. But not always; in many cases it can be amplified. However, it remains.
        A surgeon cuts and penetrates the body with his instruments. He dramatically reduces the distance and interacts with the material substance. I attempt, with my attention focused on the human vehicle, to locate, x-ray and then map elements that operate and play out, in the distant, borderline obscure scene of the human intellect. [...]Over time, I become aware of, and observe, an indefinable bodily structure, similar to my own. Unformalised internal dialogues and agreements are stored as destinations without me identifying their exact location and the moment of their conception. A function as familiar as the huge pine tree in my backyard. But I will never see its true size, as long as it is not uprooted. [...]
        Master ThesisC-na-Ψ (Synapse)School of Visual and Applied Arts, Faculty of Fine Arts AUTh 2021
        ISSUU : Catalogue
        
        
          &#60;img src="https://freight.cargo.site/t/original/i/ea5cea3d033c5a0d4296dd67eb1a79718ea8a4a8364902d1976f8d5a537330f0/5.jpg" alt="C-na-Ψ — image 11"&#62;
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        `;
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        Von Zart bis Hart
        
          
          
        
        Von Zart bis Hart (installation)
        In our era of perpetual information bombardment and pervasive attention-span-distraction mechanisms, this artwork encapsulates a modern Kafkaesque narrative. The artist, akin to a Kafkaesque protagonist, strives to maintain focus within the confines of his &#38;quot;Raum&#38;quot; (room). Outside, running parallel to the sanctioned realms of mass consumption shaped by formidable entities, we construct an analog collage by navigating the intricate patterns of social media.
        In a landscape where everyone has a stake in art, yet the powerful dominate its expression and promotion to influential spheres, we turn into metaphorical cockroaches. This transformation extends even to those within our immediate circles. In the realm of contemplation and exploration, we navigate a Berlin-esque terrain—hovering between treasures and detritus. The point is, as with any insect, to remain hidden but be able to enter every house and disturb, as Socrates once said, the resting - bored horse like horse breeders do.
        In his work, Leandros creates a kind-of-map that navigates his experience as an immigrant in Berlin. A seemingly chaotic collage that includes different aspects of life with pieces that the artist started collecting from the very first day he arrived in Germany is presented. The outcome is a personal yet universally relatable exploration that comments on issues like overexposure to information, politics as a part of our identity, AI, mainstream ‘sellable’ art, and all that through the prism of the artist. Makes us wonder, what is art after all, and what is the role of the artist in it?
        Part of XENOS exhibition at Alte MuenzeExhibition Writer: Sophia Papageorgiou
        
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        Kinesis: Repetitive Marches
        &#60;img src="https://freight.cargo.site/t/original/i/ec26c1e19e0baea4b7bba64754e074063fd0c6c5d85386377022d8f8eedd17de/Untitled-design.png" alt="Kinesis — image 1"&#62;
        It’s been a while since I was invited to the @secondchance.dafni exhibition by @drkantartzis. Alongside the talented artists and friends @ematmospherrust, @goumas_vasilis, and Ilias, we combined forces for the curation of a room at Dafni Psychiatric Hospital, creating a comprehensive experience
        &#60;img src="https://freight.cargo.site/t/original/i/05b77c6dbc5e05488ca3cfb4c0b2d7163c9b87fc3b148b9712b0968b513ce4b2/DSC03582.JPG" alt="Kinesis — image 2"&#62;
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        Flies that spread, carrying the disease of stochastic thinking. Flies that invade every corner, devastating space. Sneaking in, they irritate the audience, triggering movement even from the most indifferent.
        The more I learn about them, the more I’m inspired by their diversity and unique biological traits. Mimicking their habits, I transformed the room at Dafni Psychiatric Hospital into a space of correlations. Here, balance, size, and visual stimuli are disrupted. Found objects from former inmates were reassembled to provoke discussion on the side effects of psychotropics and the nature of mental illness. A crack in the sphere of reality.
        Teaser
        
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          &#60;img src="https://freight.cargo.site/t/original/i/1b5120532855de14a8ae9b1c07e521e477d1de821e1f4faa1ba91f086823b04a/DSC03312.JPG" alt="Kinesis — image 10"&#62;
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        Prometheus Desmotes
        
          
            
          
        
        A work condemned for paganism and a broken contract, driven by the personal ambitions of the &#38;quot;gods.&#38;quot;
        &#60;img src="https://freight.cargo.site/t/original/i/1c018d683be6d6daaa9826edad53213e1c474144d694e26dfe0d77df8be0369c/IMG_20250921_172251_693.jpg" alt="Prometheus Desmotes — image 9"&#62;
        What began as a study of beauty evolved into a deeper connection with the island’s raw energy. Volcanic rocks, once forged by fire, were collected and transformed into sculptures with the help of Socotris especially children whose curiosity and spirit fed the growing flame.
        Two works were meant for Socotra University, but before their placement, power intervened. A self-serving figure accused the sculptures of paganism, burying them under lies and broken deals.
        The works were for Socotra, to keep its flame alive.But their fate mirrors a larger truth: how power treats art, and worse, how it treats places like Socotra, forgotten yet burning.
        
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        MATAROA Tharrsos
        Winner of the 2025 MATAROA Award at the 8th Art Thessaloniki International Contemporary Art Fair
        
        ‘’...As Socrates said in his Apology, he likened the role of the intellectual to that of a gadfly (horsefly) that stings the strong and proud horse, the Athenians, for sometimes they become sluggish. Just so, art stings the recipient and incites them to action...’’
        Speech excerpt
        
        The series is called “Courage” and derives from the two roots “Thárros” (bravery) and “Thrassos” (audacity). These are characteristics found in the behaviour of the common fly; an insect that disturbs and provokes movement. The concept for the first work of the series was conceived in 2016 when I first used the fly as a symbol. At that time, I intervened in the kitchen of the School of Fine Arts of Thessaloniki, disrupting its function by introducing magnetic, moving flies into the space. Since then, the fly has followed my work.
        I want the art I create to disturb and provoke thought and reflection. The fly is used as a pointer in my work to point out crucial issues. In this installation, we observe a readymade car wreck being flattened by a marble fly. A reversal of the crushing of the fly by the massive vehicle. In times of war, attention is necessary, as is movement. Despite the severity of the conditions, the message remains bright and disturbing for the viewer.
        
          ${[2,8,5,12,7,10,11,18,1,9].map(id =&#62; ``).join('')}
        
        Marble, metal, neon, scrapped car, cables, wood, digital print, soundVariable dimensions`;
      mataroaPanel.querySelectorAll('[data-picture]').forEach(holder =&#62; {
        const id = holder.getAttribute('data-picture');
        const original = root.querySelector('.mataroa-image-bank [data-mataroa-id="' + id + '"] img');
        if (original) {
          const clone = original.cloneNode(true);
          clone.removeAttribute('loading');
          clone.style.visibility = 'visible';
          holder.appendChild(clone);
        }
      });
    }

    function showMataroa() {
      selectedUrl = null;
      stopMotion();
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; { panel.style.display = 'none'; });
      resouvenirPanel.style.display = 'none';
      bravePanel.style.display = 'none';
      tharrsosPanel.style.display = 'none';
      cellfeePanel.style.display = 'none';
      cnaPanel.style.display = 'none';
      vonPanel.style.display = 'none';
      kinesisPanel.style.display = 'none';
      prometheusPanel.style.display = 'none';
      hideFrames();
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildMataroa();
      mataroaPanel.style.display = 'block';
      mataroaPanel.scrollTop = 0;
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = mataroaPanel.scrollHeight - mataroaPanel.clientHeight;
          if (mataroaPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          mataroaPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    function showPrometheus() {
      selectedUrl = null;
      stopMotion();
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; { panel.style.display = 'none'; });
      resouvenirPanel.style.display = 'none';
      bravePanel.style.display = 'none';
      tharrsosPanel.style.display = 'none';
      cellfeePanel.style.display = 'none';
      cnaPanel.style.display = 'none';
      vonPanel.style.display = 'none';
      kinesisPanel.style.display = 'none';
      hideFrames();
      mataroaPanel.style.display = 'none';
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildPrometheus();
      prometheusPanel.style.display = 'block';
      prometheusPanel.scrollTop = 0;
      const video = prometheusPanel.querySelector('video');
      if (video) video.play().catch(() =&#62; {});
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = prometheusPanel.scrollHeight - prometheusPanel.clientHeight;
          if (prometheusPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          prometheusPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    function showVon() {
      selectedUrl = null;
      stopMotion();
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; { panel.style.display = 'none'; });
      resouvenirPanel.style.display = 'none';
      bravePanel.style.display = 'none';
      tharrsosPanel.style.display = 'none';
      cellfeePanel.style.display = 'none';
      cnaPanel.style.display = 'none';
      hideFrames();
      mataroaPanel.style.display = 'none';
      prometheusPanel.style.display = 'none';
      kinesisPanel.style.display = 'none';
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildVon();
      vonPanel.style.display = 'block';
      vonPanel.scrollTop = 0;
      vonPanel.querySelectorAll('video').forEach(video =&#62; video.play().catch(() =&#62; {}));
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = vonPanel.scrollHeight - vonPanel.clientHeight;
          if (vonPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          vonPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    function showKinesis() {
      selectedUrl = null;
      stopMotion();
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; { panel.style.display = 'none'; });
      resouvenirPanel.style.display = 'none';
      bravePanel.style.display = 'none';
      tharrsosPanel.style.display = 'none';
      cellfeePanel.style.display = 'none';
      cnaPanel.style.display = 'none';
      vonPanel.style.display = 'none';
      hideFrames();
      mataroaPanel.style.display = 'none';
      prometheusPanel.style.display = 'none';
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      caption.textContent = '';
      buildKinesis();
      kinesisPanel.style.display = 'block';
      kinesisPanel.scrollTop = 0;
      if (!reducedMotion.matches) {
        scrollTimer = setInterval(() =&#62; {
          const max = kinesisPanel.scrollHeight - kinesisPanel.clientHeight;
          if (kinesisPanel.scrollTop &#62;= max - 1) {
            clearInterval(scrollTimer);
            scrollTimer = null;
            return;
          }
          kinesisPanel.scrollBy(0, 1);
        }, 33);
      }
    }

    const cache = new Map();
    const queue = [];
    const MAX_CACHE = 4;
    const MAX_LOADING = 2;
    let loading = 0;
    let slideshow = null;
    let scrollTimer = null;
    let activeFrame = null;
    let selectedUrl = null;
    let selection = 0;

    function stopMotion() {
      clearInterval(slideshow);
      clearInterval(scrollTimer);
      slideshow = scrollTimer = null;
    }

    function hideFrames() {
      for (const item of cache.values()) item.frame.style.visibility = 'hidden';
      activeFrame = null;
    }

    function urlFor(link) {
      return new URL(link.getAttribute('href'), document.baseURI).href;
    }

    function makeRoom() {
      if (cache.size &#60; MAX_CACHE) return true;
      for (const [url, item] of cache) {
        if (url === selectedUrl &#124;&#124; item.frame === activeFrame &#124;&#124; !item.ready) continue;
        item.frame.remove();
        cache.delete(url);
        return true;
      }
      return false;
    }

    function pump() {
      while (loading &#60; MAX_LOADING &#38;&#38; queue.length) {
        const item = queue.shift();
        if (!cache.has(item.url) &#124;&#124; item.started) continue;
        item.started = true;
        loading++;
        item.frame.onload = function () {
          item.ready = true;
          loading--;
          if (selectedUrl === item.url) displayProject(item);
          pump();
        };
        item.frame.onerror = function () {
          item.ready = true;
          item.failed = true;
          loading--;
          if (selectedUrl === item.url) displayProject(item);
          pump();
        };
        item.frame.src = item.url;
      }
    }

    function prepare(link, priority) {
      const url = urlFor(link);
      if (cache.has(url)) return cache.get(url);
      if (!makeRoom()) return null;
      const frame = document.createElement('iframe');
      frame.title = 'Preview: ' + link.textContent.trim();
      frame.loading = 'eager';
      frame.setAttribute('tabindex', '-1');
      frame.style.cssText = 'position:absolute;inset:0;width:100%;height:100%;border:0;background:#000;visibility:hidden;';
      preview.insertBefore(frame, caption);
      const item = {url, frame, ready:false, started:false, failed:false};
      cache.set(url, item);
      if (priority) queue.unshift(item);
      else queue.push(item);
      pump();
      return item;
    }

    function displayProject(item) {
      if (selectedUrl !== item.url &#124;&#124; !item.ready) return;
      if (item.failed) {
        caption.textContent = 'Preview unavailable — click the title to open';
        return;
      }
      try {
        const doc = item.frame.contentDocument;
        if (!doc &#124;&#124; !doc.body) throw new Error('Preview not accessible');
        hideFrames();
        item.frame.style.visibility = 'visible';
        activeFrame = item.frame;
        caption.textContent = '';
        const scroller = doc.scrollingElement &#124;&#124; doc.documentElement;
        scroller.scrollTop = 0;
        if (!reducedMotion.matches) {
          scrollTimer = setInterval(function () {
            if (activeFrame !== item.frame) return;
            const max = scroller.scrollHeight - scroller.clientHeight;
            if (scroller.scrollTop &#62;= max - 1) {
              clearInterval(scrollTimer);
              return;
            }
            item.frame.contentWindow.scrollBy(0, 1);
          }, 33);
        }
      } catch (error) {
        caption.textContent = 'Preview unavailable — click the title to open';
      }
    }

    function showImage(id, title) {
      preview.querySelectorAll('.mataroa-direct-preview').forEach(panel =&#62; {
        panel.style.display = 'none';
      });
      hideFrames();
      const sourceHolder = root.querySelector('.archive-image-bank [data-id="' + id + '"]');
      const source = sourceHolder ? sourceHolder.querySelector('img') : null;
      imgBox.replaceChildren();
      imgBox.style.display = 'flex';
      imgBox.style.visibility = 'visible';
      imgBox.style.opacity = '1';
      caption.textContent = title &#124;&#124; '';
      if (source) {
        const clone = source.cloneNode(true);
        clone.removeAttribute('loading');
        clone.setAttribute('loading', 'eager');
        clone.style.display = 'block';
        clone.style.visibility = 'visible';
        clone.style.opacity = '1';
        imgBox.appendChild(clone);
      }
    }

    // Category previews: reliably show a rotating artwork slideshow.
    // This handles both real mouse hover and keyboard focus.
    function showCategory(category) {
      selection++;
      selectedUrl = null;
      stopMotion();
      const links = Array.from(category.querySelectorAll('.archive-projects a[data-image]'));
      if (!links.length) return;
      let index = 0;
      function tick() {
        const link = links[index];
        const imageId = link.getAttribute('data-image');
        showImage(imageId, link.textContent.trim());
        index = (index + 1) % links.length;
      }
      tick();
      if (links.length &#62; 1 &#38;&#38; !reducedMotion.matches) {
        slideshow = setInterval(tick, 1800);
      }
    }

    function showProject(link) {
      if (link.getAttribute('href') === 'Printmaking') {
        showPrintmaking();
        return;
      }
      if (link.getAttribute('href') === 'Erroneous-Process') {
        showErroneous();
        return;
      }
      if (link.getAttribute('href') === 'Photograms') {
        showPhotograms();
        return;
      }
      if (link.getAttribute('href') === 'Thessaloniki-report-2016-2022') {
        showThess();
        return;
      }
      if (link.getAttribute('href') === 'Shedding-Yesterday-s-Limbs') {
        showShedding();
        return;
      }
      if (link.getAttribute('href') === 'Phosphene') {
        showPhosphene();
        return;
      }
      if (link.getAttribute('href') === 'Balk-Out') {
        showBalk();
        return;
      }
      if (link.getAttribute('href') === 'Maria-Callas-Ear') {
        showMaria();
        return;
      }
      if (link.getAttribute('href') === 'The-Empire-s-New-Invisible-Wardrobe') {
        showEmpire();
        return;
      }
      if (link.getAttribute('href') === 'Brave-New-World') {
        showBrave();
        return;
      }
      if (link.getAttribute('href') === 're-souvenir') {
        showResouvenir();
        return;
      }
      if (link.getAttribute('href') === 'Tarros') {
        showTharrsos();
        return;
      }
      if (link.getAttribute('href') === 'CellFee') {
        showCellfee();
        return;
      }
      if (link.getAttribute('href') === 'C-na-P') {
        showCna();
        return;
      }
      if (link.getAttribute('href') === 'Von-zart-bis-Hart') {
        showVon();
        return;
      }
      if (link.getAttribute('href') === 'Kinesis-Repetitive-Marches') {
        showKinesis();
        return;
      }
      if (link.getAttribute('href') === 'Prometheus-Desmotes') {
        showPrometheus();
        return;
      }
      if (link.getAttribute('href') === 'MATAROA-Tharrsos') {
        showMataroa();
        return;
      }
      mataroaPanel.style.display = 'none';
      prometheusPanel.style.display = 'none';
      kinesisPanel.style.display = 'none';
      vonPanel.style.display = 'none';
      cnaPanel.style.display = 'none';
      cellfeePanel.style.display = 'none';
      tharrsosPanel.style.display = 'none';
      resouvenirPanel.style.display = 'none';
      bravePanel.style.display = 'none';
      empirePanel.style.display = 'none';
      mariaPanel.style.display = 'none';
      balkPanel.style.display = 'none';
      phosphenePanel.style.display = 'none';
      sheddingPanel.style.display = 'none';
      photogramsPanel.style.display = 'none';
      printmakingPanel.style.display = 'none';
      erroneousPanel.style.display = 'none';
      thessPanel.style.display = 'none';
      selection++;
      stopMotion();
      imgBox.replaceChildren();
      imgBox.style.display = 'none';
      hideFrames();
      caption.textContent = '';
      selectedUrl = urlFor(link);
      let item = cache.get(selectedUrl);
      if (!item) item = prepare(link, true);
      if (item) {
        if (item.ready) displayProject(item);
      } else {
        caption.textContent = 'Loading preview…';
      }
    }

    root.querySelectorAll('.archive-category').forEach(category =&#62; {
      const button = category.querySelector('.archive-category-button');
      const projects = category.querySelector('.archive-projects');
      const links = Array.from(projects.querySelectorAll('a'));

      function previewCategory() {
        if (window.matchMedia('(max-width: 767px)').matches) return;
        showCategory(category);
        // The decorative fly must never prevent the artwork preview.
        try { playSwarm('category:' + button.textContent.trim()); }
        catch (error) { console.warn('Archive fly unavailable:', error); }
      }
      button.addEventListener('mouseenter', previewCategory);
      button.addEventListener('focus', previewCategory);
      button.addEventListener('mouseleave', () =&#62; {
        clearInterval(slideshow);
        slideshow = null;
        if (!selectedUrl) {
          imgBox.replaceChildren();
          caption.textContent = '';
        }
      });

      button.addEventListener('click', () =&#62; {
        const open = button.getAttribute('aria-expanded') !== 'true';
        root.querySelectorAll('.archive-category').forEach(other =&#62; {
          const b = other.querySelector('.archive-category-button');
          b.setAttribute('aria-expanded', 'false');
          other.querySelector('.archive-projects').hidden = true;
          const sp = b.querySelector('span');
          if (sp) sp.textContent = sp.textContent.replace(/[+−]/g, '').trim() + ' +';
        });
        button.setAttribute('aria-expanded', String(open));
        projects.hidden = !open;
        const span = button.querySelector('span');
        if (span) span.textContent = span.textContent.replace(/[+−]/g, '').trim() + (open ? ' −' : ' +');
        if (open) links.filter(link =&#62; !['MATAROA-Tharrsos', 'Prometheus-Desmotes', 'Kinesis-Repetitive-Marches'].includes(link.getAttribute('href'))).slice(0, 2).forEach(link =&#62; prepare(link, false));
      });

      links.forEach(link =&#62; {
        function previewProject() {
          if (window.matchMedia('(max-width: 767px)').matches) return;
          showProject(link);
          try { playSwarm('project:' + link.getAttribute('href')); }
          catch (error) { console.warn('Archive fly unavailable:', error); }
        }
        link.addEventListener('mouseenter', previewProject);
        link.addEventListener('focus', previewProject);
      });
    });

    mataroaPanel.addEventListener('mouseenter', () =&#62; {
      clearInterval(scrollTimer);
      scrollTimer = null;
    });
    prometheusPanel.addEventListener('mouseenter', () =&#62; {
      clearInterval(scrollTimer);
      scrollTimer = null;
    });
    vonPanel.addEventListener('mouseenter', () =&#62; {
      clearInterval(scrollTimer);
      scrollTimer = null;
    });

    kinesisPanel.addEventListener('mouseenter', () =&#62; {
      clearInterval(scrollTimer);
      scrollTimer = null;
    });

    preview.addEventListener('mouseenter', () =&#62; {
      clearInterval(scrollTimer);
      scrollTimer = null;
    });
    root.addEventListener('mouseleave', stopMotion);
    window.addEventListener('pagehide', () =&#62; {
      stopMotion();
      for (const item of cache.values()) item.frame.remove();
      cache.clear();
    });
  }

  if (document.readyState === 'loading') document.addEventListener('DOMContentLoaded', initArchive);
  else initArchive();
  document.addEventListener('cargo:load', initArchive);
})();






The Empire's New Invisible Wardrobe&#38;nbsp;&#124;&#60;img width="3558" height="3558" width_o="3558" height_o="3558" data-src="https://freight.cargo.site/t/original/i/3d1089fcfce5fff534e60faa10cedfe69d27226358ca631cc8740720f0171ac3/photo_2025-09-21_20-19-45.png" data-mid="254166540" border="0"  src="https://freight.cargo.site/w/1000/i/3d1089fcfce5fff534e60faa10cedfe69d27226358ca631cc8740720f0171ac3/photo_2025-09-21_20-19-45.png" /&#62;



MATAROA Tharrsos&#38;nbsp;&#124;&#60;img width="3924" height="2943" width_o="3924" height_o="2943" data-src="https://freight.cargo.site/t/original/i/0230af69b5dba581ab34a2ea8a20ed33cb15b384e17a019df6e6cdc46cfba1ff/ViewCapture20250601_220328.png" data-mid="254166537" border="0"  src="https://freight.cargo.site/w/1000/i/0230af69b5dba581ab34a2ea8a20ed33cb15b384e17a019df6e6cdc46cfba1ff/ViewCapture20250601_220328.png" /&#62;

Prometheus Desmotes&#38;nbsp;&#124;&#60;img width="1049" height="1312" width_o="1049" height_o="1312" data-src="https://freight.cargo.site/t/original/i/4b04bbd99a9c528da4fdc97ac481ff6678f18521ea5ed9de1d44daa22a0f09e9/share_928844711440169477-glow.png" data-mid="254166536" border="0"  src="https://freight.cargo.site/w/1000/i/4b04bbd99a9c528da4fdc97ac481ff6678f18521ea5ed9de1d44daa22a0f09e9/share_928844711440169477-glow.png" /&#62;&#38;nbsp;Kinesis: Repetitive Marches &#124;&#38;nbsp;&#60;img width="2414" height="1389" width_o="2414" height_o="1389" data-src="https://freight.cargo.site/t/original/i/c16106b571f25a9c797406b2569a2d71a94a8c528cc03d369909287000ec837d/DSC03237.png" data-mid="254166533" border="0"  src="https://freight.cargo.site/w/1000/i/c16106b571f25a9c797406b2569a2d71a94a8c528cc03d369909287000ec837d/DSC03237.png" /&#62;Phosphene&#38;nbsp;&#124;&#60;img width="836" height="1157" width_o="836" height_o="1157" data-src="https://freight.cargo.site/t/original/i/a53ead77ffcfdf96e95c149860665b275f2b0b7b60575aec7b94b841f0e80851/Aurora12274.png" data-mid="254166534" border="0"  src="https://freight.cargo.site/w/836/i/a53ead77ffcfdf96e95c149860665b275f2b0b7b60575aec7b94b841f0e80851/Aurora12274.png" /&#62;

Maria Callas’ Ear 
&#124;&#60;img width="3000" height="3995" width_o="3000" height_o="3995" data-src="https://freight.cargo.site/t/original/i/e5571214deba2505ad9bc22444a1c56f0b0d27c63813de7e77a88568ad0b21e3/PXL_20230826_141651219.png" data-mid="254166531" border="0"  src="https://freight.cargo.site/w/1000/i/e5571214deba2505ad9bc22444a1c56f0b0d27c63813de7e77a88568ad0b21e3/PXL_20230826_141651219.png" /&#62;

Von Zart bis Hart 
&#124;


&#60;img width="1437" height="1437" width_o="1437" height_o="1437" data-src="https://freight.cargo.site/t/original/i/090843164215478e978c0d29b6c9d09592877b1a482c41c14865fb43e7cad2b5/cover-site.png" data-mid="254166535" border="0"  src="https://freight.cargo.site/w/1000/i/090843164215478e978c0d29b6c9d09592877b1a482c41c14865fb43e7cad2b5/cover-site.png" /&#62;


    Shedding Yesterday’s Limbs

&#124;



&#60;img width="4000" height="2514" width_o="4000" height_o="2514" data-src="https://freight.cargo.site/t/original/i/23b7dec0f1a811f6b6c4197135c93e8ef8a52355bcfc5d44878388e9f09636d9/avatar-L.png" data-mid="254166529" border="0"  src="https://freight.cargo.site/w/1000/i/23b7dec0f1a811f6b6c4197135c93e8ef8a52355bcfc5d44878388e9f09636d9/avatar-L.png" /&#62;
    



    Thess.rep

&#124;




    &#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/3cd4583d0a03de78af1d797f2d4c2b5dae168c31e530fb261fad79e3d5e4489f/asd.png" data-mid="254166520" border="0"  src="https://freight.cargo.site/w/512/i/3cd4583d0a03de78af1d797f2d4c2b5dae168c31e530fb261fad79e3d5e4489f/asd.png" /&#62;



    Erroneous Process

&#124;




    &#60;img width="960" height="510" width_o="960" height_o="510" data-src="https://freight.cargo.site/t/original/i/85b58e35a1e98f15571ff44af63bec43238d526b41ee0e9d0a634d1a439818ee/received_372496611035908.png" data-mid="254166518" border="0"  src="https://freight.cargo.site/w/960/i/85b58e35a1e98f15571ff44af63bec43238d526b41ee0e9d0a634d1a439818ee/received_372496611035908.png" /&#62;



    C-na-Ψ 

&#124;




    &#60;img width="3152" height="5088" width_o="3152" height_o="5088" data-src="https://freight.cargo.site/t/original/i/27bb0d2ffc146979569b1b8b3c9788aef8468cee53c792501db98a860b60c876/DSC04220.png" data-mid="254166516" border="0"  src="https://freight.cargo.site/w/1000/i/27bb0d2ffc146979569b1b8b3c9788aef8468cee53c792501db98a860b60c876/DSC04220.png" /&#62;



    CellFee

&#124;




    &#60;img width="2856" height="4272" width_o="2856" height_o="4272" data-src="https://freight.cargo.site/t/original/i/62e2432ef80096f2adc02dcbd428b7061d9f991b00882d3b99063fcedc0dad7e/L1230503.png" data-mid="254166509" border="0"  src="https://freight.cargo.site/w/1000/i/62e2432ef80096f2adc02dcbd428b7061d9f991b00882d3b99063fcedc0dad7e/L1230503.png" /&#62;



    Balk-Out 
&#124;




    &#60;img width="1160" height="768" width_o="1160" height_o="768" data-src="https://freight.cargo.site/t/original/i/61c1c8d43eb90acad098acf91538d4e5717f3c7f6415ee15240693ecd1321587/Balkout--feet-won-t-stop-_.png" data-mid="254166510" border="0"  src="https://freight.cargo.site/w/1000/i/61c1c8d43eb90acad098acf91538d4e5717f3c7f6415ee15240693ecd1321587/Balkout--feet-won-t-stop-_.png" /&#62;



    Tharrsos 
&#124;




    &#60;img width="2780" height="1812" width_o="2780" height_o="1812" data-src="https://freight.cargo.site/t/original/i/a554a8f8e064a8b115f49b53d19a2a8e69facd4038204a7b8cee7e2f886460a3/DSC_0084.png" data-mid="254166528" border="0"  src="https://freight.cargo.site/w/1000/i/a554a8f8e064a8b115f49b53d19a2a8e69facd4038204a7b8cee7e2f886460a3/DSC_0084.png" /&#62;



    Photograms 
&#124;




    &#60;img width="2846" height="4179" width_o="2846" height_o="4179" data-src="https://freight.cargo.site/t/original/i/3aacd6717d78c08e8b6f6e3427d31ba9f9446142d80ab656c3837e98b5717a25/5_LM.png" data-mid="254166511" border="0"  src="https://freight.cargo.site/w/1000/i/3aacd6717d78c08e8b6f6e3427d31ba9f9446142d80ab656c3837e98b5717a25/5_LM.png" /&#62;



    Printmaking

&#124;




    &#60;img width="4277" height="4157" width_o="4277" height_o="4157" data-src="https://freight.cargo.site/t/original/i/2049b8b3989a032337cb4ef3d1418c3db505256e6f9d01083a8b26eb950f76fe/3_LM.jpg" data-mid="254166512" border="0"  src="https://freight.cargo.site/w/1000/i/2049b8b3989a032337cb4ef3d1418c3db505256e6f9d01083a8b26eb950f76fe/3_LM.jpg" /&#62;



    Re:souvenir

&#124;




    &#60;img width="2904" height="2000" width_o="2904" height_o="2000" data-src="https://freight.cargo.site/t/original/i/73209e4d4dd3de0105df0292365998de9e64572dd624ab2f1a5f35dc62ac3840/DSC_0065.png" data-mid="254166513" border="0"  src="https://freight.cargo.site/w/1000/i/73209e4d4dd3de0105df0292365998de9e64572dd624ab2f1a5f35dc62ac3840/DSC_0065.png" /&#62;



    Brave New World


    &#60;img width="1376" height="3130" width_o="1376" height_o="3130" data-src="https://freight.cargo.site/t/original/i/8583f5bf6b73d2bd226dc0a5025d45d0da7225803b6b3349895ff7428a2c1dc4/00138.png" data-mid="254166530" border="0"  src="https://freight.cargo.site/w/1000/i/8583f5bf6b73d2bd226dc0a5025d45d0da7225803b6b3349895ff7428a2c1dc4/00138.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>MATAROA Tharrsos</title>
				
		<link>https://leandrosmarios.com/MATAROA-Tharrsos</link>

		<pubDate>Mon, 09 Nov 2026 21:18:50 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/MATAROA-Tharrsos</guid>

		<description>MATAROA Tharrsos

Winner of the 2025 MATAROA Award at the 8th Art Thessaloniki International Contemporary Art Fair



&#60;img width="4000" height="1848" width_o="4000" height_o="1848" data-src="https://freight.cargo.site/t/original/i/aaafb36acbbdcd1fb693c3166428ce97106f677ef77657f4e09daa7879141739/20250517_135551.png" data-mid="254166559" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/aaafb36acbbdcd1fb693c3166428ce97106f677ef77657f4e09daa7879141739/20250517_135551.png" /&#62;
	

‘’...As Socrates said in his Apology, he likened the role of the intellectual to that of a gadfly (horsefly) that stings the strong and proud horse, the Athenians, for sometimes they become sluggish. Just so, art stings the recipient and incites them to action...’’
Speech excerpt



	&#60;img width="3118" height="2728" width_o="3118" height_o="2728" data-src="https://freight.cargo.site/t/original/i/c443a758e0067376bc77d609a0e45759aab0dc579f296879c6bff7a0555a1753/reduced.png" data-mid="254166567" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/c443a758e0067376bc77d609a0e45759aab0dc579f296879c6bff7a0555a1753/reduced.png" /&#62;

	


The series is called “Courage” and derives from the two roots “Thárros” (bravery) and “Thrassos” (audacity). These are characteristics found in the behaviour of the common fly; an insect that disturbs and provokes movement. The concept for the first work of the series was conceived in 2016 when I first used the fly as a symbol. At that time, I intervened in the kitchen of the School of Fine Arts of Thessaloniki, disrupting its function by introducing magnetic, moving flies into the space. Since then, the fly has followed my work.


I want the art I create to disturb and provoke thought and reflection. The fly is used as a pointer in my work to point out crucial issues. In this installation, we observe a readymade car wreck being flattened by a marble fly. A reversal of the crushing of the fly by the massive vehicle. In times of war, attention is necessary, as is movement. Despite the severity of the conditions, the message remains bright and disturbing for the viewer.




	
&#60;img width="1848" height="2464" width_o="1848" height_o="2464" data-src="https://freight.cargo.site/t/original/i/b8689c50509629f1e69a70d807c587766a7f900290b7669a78edf944bb3b1f8b/20250517_131552.png" data-mid="254166558" border="0"  src="https://freight.cargo.site/w/1000/i/b8689c50509629f1e69a70d807c587766a7f900290b7669a78edf944bb3b1f8b/20250517_131552.png" /&#62;
&#60;img width="2215" height="2954" width_o="2215" height_o="2954" data-src="https://freight.cargo.site/t/original/i/e8e044c3cf5326228f67c7996df6d6e0e54a19c78cacdc3bbdec03a5ab040945/PXL_20250515_160123809.png" data-mid="254166562" border="0"  src="https://freight.cargo.site/w/1000/i/e8e044c3cf5326228f67c7996df6d6e0e54a19c78cacdc3bbdec03a5ab040945/PXL_20250515_160123809.png" /&#62;
&#60;img width="2214" height="2952" width_o="2214" height_o="2952" data-src="https://freight.cargo.site/t/original/i/60d76b73086c68e60f36a6f3f343a14ddc071df46cec80fe2a1e1e728c9311ad/GOPR1047.png" data-mid="254166560" border="0"  src="https://freight.cargo.site/w/1000/i/60d76b73086c68e60f36a6f3f343a14ddc071df46cec80fe2a1e1e728c9311ad/GOPR1047.png" /&#62;
&#60;img width="2268" height="3024" width_o="2268" height_o="3024" data-src="https://freight.cargo.site/t/original/i/666987809750ecf891cbfbb06c70bd61e0a6767820c85056cce03c23ca84df5c/PXL_20250517_130914160.png" data-mid="254166566" border="0"  src="https://freight.cargo.site/w/1000/i/666987809750ecf891cbfbb06c70bd61e0a6767820c85056cce03c23ca84df5c/PXL_20250517_130914160.png" /&#62;
&#60;img width="1972" height="2630" width_o="1972" height_o="2630" data-src="https://freight.cargo.site/t/original/i/6a81e32627eb592bc707b1bac81ac409cbafea336a2c41c6f8bbc3ede59e8e43/PXL_20250515_113307618.png" data-mid="254166561" border="0"  src="https://freight.cargo.site/w/1000/i/6a81e32627eb592bc707b1bac81ac409cbafea336a2c41c6f8bbc3ede59e8e43/PXL_20250515_113307618.png" /&#62;
&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/330098a898e5319ab0876262096a8e9286e797deaa83789e177d79f442f96ef8/PXL_20250515_161332670.MP.png" data-mid="254166564" border="0"  src="https://freight.cargo.site/w/1000/i/330098a898e5319ab0876262096a8e9286e797deaa83789e177d79f442f96ef8/PXL_20250515_161332670.MP.png" /&#62;
&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/4f73c9fed5f61a62ae6e3934ed7910ea3e2499cd94f05945184ca08732d543ba/PXL_20250515_162842632.png" data-mid="254166565" border="0"  src="https://freight.cargo.site/w/1000/i/4f73c9fed5f61a62ae6e3934ed7910ea3e2499cd94f05945184ca08732d543ba/PXL_20250515_162842632.png" /&#62;
&#60;img width="4032" height="2271" width_o="4032" height_o="2271" data-src="https://freight.cargo.site/t/original/i/9b19e827d1f8b2239b2d978667f68fc2201183c7802b205d3b9520b7fa903139/stamp-20250517_162421.png" data-mid="254166568" border="0"  src="https://freight.cargo.site/w/1000/i/9b19e827d1f8b2239b2d978667f68fc2201183c7802b205d3b9520b7fa903139/stamp-20250517_162421.png" /&#62;
&#60;img width="3360" height="1890" width_o="3360" height_o="1890" data-src="https://freight.cargo.site/t/original/i/9ce9325f7de3e9bb5cc4add7d01350e738d090385f82d908aad9177ad57ea59c/20250515_213103.png" data-mid="254166557" border="0"  src="https://freight.cargo.site/w/1000/i/9ce9325f7de3e9bb5cc4add7d01350e738d090385f82d908aad9177ad57ea59c/20250515_213103.png" /&#62;
&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/931ba3209fd056bc607362a084be7b928edd04c1ab16acd5b7a13573ae672565/PXL_20250515_161323512.MP.png" data-mid="254166563" border="0"  src="https://freight.cargo.site/w/1000/i/931ba3209fd056bc607362a084be7b928edd04c1ab16acd5b7a13573ae672565/PXL_20250515_161323512.MP.png" /&#62;


	

	Marble, metal, neon, scrapped car, cables, wood, digital print, sound 

&#124;&#38;nbsp; Variable dimensions
</description>
		
	</item>
		
		
	<item>
		<title>Prometheus Desmotes</title>
				
		<link>https://leandrosmarios.com/Prometheus-Desmotes</link>

		<pubDate>Mon, 09 Nov 2026 21:18:52 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Prometheus-Desmotes</guid>

		<description>Prometheus Desmotes

    


	A work condemned for paganism and a broken contract, driven by the personal ambitions of the "gods."&#38;nbsp;



	&#60;img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/1c018d683be6d6daaa9826edad53213e1c474144d694e26dfe0d77df8be0369c/IMG_20250921_172251_693.jpg" data-mid="254166576" border="0"  src="https://freight.cargo.site/w/1000/i/1c018d683be6d6daaa9826edad53213e1c474144d694e26dfe0d77df8be0369c/IMG_20250921_172251_693.jpg" /&#62;

	

What began as a study of beauty evolved into a deeper connection with the island’s raw energy. Volcanic rocks, once forged by fire, were collected and transformed into sculptures with the help of Socotris especially children whose curiosity and spirit fed the growing flame.
Two works were meant for Socotra University, but before their placement, power intervened. A self-serving figure accused the sculptures of paganism, burying them under lies and broken deals.
The works were for Socotra, to keep its flame alive. 
But their fate mirrors a larger truth: how power treats art, and worse, how it treats places like Socotra, forgotten yet burning.





	


&#60;img width="2592" height="3240" width_o="2592" height_o="3240" data-src="https://freight.cargo.site/t/original/i/806f31983db1a7e9d27427731bd8f6ed740db897353184ed31e681220b15bb11/DSC_0543.png" data-mid="254166573" border="0"  src="https://freight.cargo.site/w/1000/i/806f31983db1a7e9d27427731bd8f6ed740db897353184ed31e681220b15bb11/DSC_0543.png" /&#62;
&#60;img width="2137" height="2671" width_o="2137" height_o="2671" data-src="https://freight.cargo.site/t/original/i/73fe7f205a1e73406c7ee73081af105e360dc5b33e683d6a26475cf320f105c3/GOPR0558.png" data-mid="254166570" border="0"  src="https://freight.cargo.site/w/1000/i/73fe7f205a1e73406c7ee73081af105e360dc5b33e683d6a26475cf320f105c3/GOPR0558.png" /&#62;
&#60;img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/3d331cf194945ef3e222382f12bbcbc081449856c99462e9423e999cc3f78148/IMG_20250926_154456_8572.png" data-mid="254166577" border="0"  src="https://freight.cargo.site/w/1000/i/3d331cf194945ef3e222382f12bbcbc081449856c99462e9423e999cc3f78148/IMG_20250926_154456_8572.png" /&#62;
&#60;img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/dab5bd1ed317015809279ab35fba98dd090da5a05c19c3881ec40fbe05777a4d/DSC_0550.png" data-mid="254166574" border="0"  src="https://freight.cargo.site/w/1000/i/dab5bd1ed317015809279ab35fba98dd090da5a05c19c3881ec40fbe05777a4d/DSC_0550.png" /&#62;
&#60;img width="5568" height="4872" width_o="5568" height_o="4872" data-src="https://freight.cargo.site/t/original/i/2ea085b01905f2376d6527fa2341eb4f4b3b515b31bcab25fb04616474a76ae6/GOPR0565.JPG" data-mid="254166575" border="0"  src="https://freight.cargo.site/w/1000/i/2ea085b01905f2376d6527fa2341eb4f4b3b515b31bcab25fb04616474a76ae6/GOPR0565.JPG" /&#62;
&#60;img width="2592" height="3240" width_o="2592" height_o="3240" data-src="https://freight.cargo.site/t/original/i/63cc52a296db8636b31f8e7bde91c73c0b28c8677bc1f3f89f3c2877282a88da/DSC_0542.png" data-mid="254166572" border="0"  src="https://freight.cargo.site/w/1000/i/63cc52a296db8636b31f8e7bde91c73c0b28c8677bc1f3f89f3c2877282a88da/DSC_0542.png" /&#62;
 






	


</description>
		
	</item>
		
		
	<item>
		<title>Kinesis: Repetitive Marches</title>
				
		<link>https://leandrosmarios.com/Kinesis-Repetitive-Marches</link>

		<pubDate>Mon, 09 Nov 2026 21:18:53 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Kinesis-Repetitive-Marches</guid>

		<description>Kinesis: Repetitive Marches
&#60;img width="6480" height="566" width_o="6480" height_o="566" data-src="https://freight.cargo.site/t/original/i/ec26c1e19e0baea4b7bba64754e074063fd0c6c5d85386377022d8f8eedd17de/Untitled-design.png" data-mid="254166578" border="0"  src="https://freight.cargo.site/w/1000/i/ec26c1e19e0baea4b7bba64754e074063fd0c6c5d85386377022d8f8eedd17de/Untitled-design.png" /&#62;





It’s been a while since I was invited to the @secondchance.dafni exhibition by @drkantartzis. Alongside the talented artists and friends @ematmospherrust, @goumas_vasilis, and Ilias, we combined forces for the curation of a room at Dafni Psychiatric Hospital, creating a comprehensive experience

	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/05b77c6dbc5e05488ca3cfb4c0b2d7163c9b87fc3b148b9712b0968b513ce4b2/DSC03582.JPG" data-mid="254166579" border="0"  src="https://freight.cargo.site/w/1000/i/05b77c6dbc5e05488ca3cfb4c0b2d7163c9b87fc3b148b9712b0968b513ce4b2/DSC03582.JPG" /&#62;
	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3b65de236f0926196af2f59b59554229813fbe9c924b82345e2cea5a8c9765b1/DSC03288.JPG" data-mid="254166580" border="0"  src="https://freight.cargo.site/w/1000/i/3b65de236f0926196af2f59b59554229813fbe9c924b82345e2cea5a8c9765b1/DSC03288.JPG" /&#62;



Flies that spread, carrying the disease of stochastic thinking. Flies that invade every corner, devastating space. Sneaking in, they irritate the audience, triggering movement even from the most indifferent.






The more I learn about them, the more I’m inspired by their diversity and unique biological traits. Mimicking their habits, I transformed the room at Dafni Psychiatric Hospital into a space of correlations. Here, balance, size, and visual stimuli are disrupted. Found objects from former inmates were reassembled to provoke discussion on the side effects of psychotropics and the nature of mental illness. A crack in the sphere of reality.

	Teaser


	
&#60;img width="5853" height="3902" width_o="5853" height_o="3902" data-src="https://freight.cargo.site/t/original/i/60ed38c21f3728f79b39f3787f132f9ea9a9986fe59522531127fa76bbe21667/DSC03457.JPG" data-mid="254166583" border="0"  src="https://freight.cargo.site/w/1000/i/60ed38c21f3728f79b39f3787f132f9ea9a9986fe59522531127fa76bbe21667/DSC03457.JPG" /&#62;
&#60;img width="5853" height="3902" width_o="5853" height_o="3902" data-src="https://freight.cargo.site/t/original/i/faaebded55d3a91406a4c6928292630f5071c9f2313a17ad2bb85e8a6212b226/DSC03469.JPG" data-mid="254166585" border="0"  src="https://freight.cargo.site/w/1000/i/faaebded55d3a91406a4c6928292630f5071c9f2313a17ad2bb85e8a6212b226/DSC03469.JPG" /&#62;
&#60;img width="5831" height="3887" width_o="5831" height_o="3887" data-src="https://freight.cargo.site/t/original/i/e4fa42a80badc032cfabaa5f0eae529c76a41815a2e6bba9ac563e3a8bb2c8a0/DSC03342.JPG" data-mid="254166586" border="0"  src="https://freight.cargo.site/w/1000/i/e4fa42a80badc032cfabaa5f0eae529c76a41815a2e6bba9ac563e3a8bb2c8a0/DSC03342.JPG" /&#62;
&#60;img width="5853" height="3902" width_o="5853" height_o="3902" data-src="https://freight.cargo.site/t/original/i/9b7e5af7c07a9f2f8460bccd44a776a4085b30910041a2bc068d156e0f5c5cc9/DSC03449.JPG" data-mid="254166582" border="0"  src="https://freight.cargo.site/w/1000/i/9b7e5af7c07a9f2f8460bccd44a776a4085b30910041a2bc068d156e0f5c5cc9/DSC03449.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/588679e3f698c2d5fe07ad73145b4b887fef495aa656ece15fe48a5aedb59559/DSC03573.JPG" data-mid="254166584" border="0"  src="https://freight.cargo.site/w/1000/i/588679e3f698c2d5fe07ad73145b4b887fef495aa656ece15fe48a5aedb59559/DSC03573.JPG" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1cca7c20a04501c06c249855c86f5ad07414c7afcee88cadec6b02252d177016/DSC03497.JPG" data-mid="254166591" border="0"  src="https://freight.cargo.site/w/1000/i/1cca7c20a04501c06c249855c86f5ad07414c7afcee88cadec6b02252d177016/DSC03497.JPG" /&#62;
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	</item>
		
		
	<item>
		<title>Maria Callas' Ear</title>
				
		<link>https://leandrosmarios.com/Maria-Callas-Ear</link>

		<pubDate>Mon, 09 Nov 2026 21:18:54 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Maria-Callas-Ear</guid>

		<description>Maria Callas’ Ear
&#60;img width="2186" height="3886" width_o="2186" height_o="3886" data-src="https://freight.cargo.site/t/original/i/c1f5b236db493262d1ec3d29ba7b0c71fb6baf189c3996f9fd4ea93f3055212b/PXL_20230825_122551380.png" data-mid="254166593" border="0"  src="https://freight.cargo.site/w/1000/i/c1f5b236db493262d1ec3d29ba7b0c71fb6baf189c3996f9fd4ea93f3055212b/PXL_20230825_122551380.png" /&#62;


I embarked on a marble sculpture journey starting from the island of Tinos. The urge to return to traditional means of sculpture emerged on this so-called "Marble Island," and I managed to find a small workshop simply by asking the locals.



As an ode to Maria Callas’ centenary, I carved an ear on a marble plate on the island. The transportation and finishing of the piece took place in Neochori Ithomi, Greece, where she was born. "Maria Callas’ Ear" is a submission for the new museum they are planning to establish to honor the diva.





My work captures the essence of music and acoustic perception. This sculpture challenges the enduring nature of art and questions our tendencies to align with conventional narratives. It's an ode to those who break societal norms.



	
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</description>
		
	</item>
		
		
	<item>
		<title>Von zart bis Hart</title>
				
		<link>https://leandrosmarios.com/Von-zart-bis-Hart</link>

		<pubDate>Mon, 09 Nov 2026 21:18:55 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Von-zart-bis-Hart</guid>

		<description> 
	Von Zart bis Hart

	
	



	



Von Zart bis Hart (installation)





In our era of perpetual information bombardment and pervasive attention-span-distraction mechanisms, this artwork encapsulates a modern Kafkaesque narrative. The artist, akin to a Kafkaesque protagonist, strives to maintain focus within the confines of his "Raum" (room). Outside, running parallel to the sanctioned realms of mass consumption shaped by formidable entities, we construct an analog collage by navigating the intricate patterns of social media.

In a landscape where everyone has a stake in art, yet the powerful dominate its expression and promotion to influential spheres, we turn into metaphorical cockroaches. This transformation extends even to those within our immediate circles. In the realm of contemplation and exploration, we navigate a Berlin-esque terrain—hovering between treasures and detritus. The point is, as with any insect, to remain hidden but be able to enter every house and disturb, as Socrates once said, the resting - bored horse like horse breeders do.

In his work, Leandros creates a kind-of-map that navigates his experience as an immigrant in Berlin. A seemingly chaotic collage that includes different aspects of life with pieces that the artist started collecting from the very first day he arrived in Germany is presented. The outcome is a personal yet universally relatable exploration that comments on issues like overexposure to information, politics as a part of our identity, AI, mainstream ‘sellable’ art, and all that through the prism of the artist. Makes us wonder, what is art after all, and what is the role of the artist in it?
Part of XENOS exhibition at Alte MuenzeExhibition Writer: Sophia Papageorgiou








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	</description>
		
	</item>
		
		
	<item>
		<title>Shedding Yesterday's Limbs</title>
				
		<link>https://leandrosmarios.com/Shedding-Yesterday-s-Limbs</link>

		<pubDate>Mon, 09 Nov 2026 21:18:56 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Shedding-Yesterday-s-Limbs</guid>

		<description>
	Shedding Yesterday’s Limbs


A film by Leandros and Ilias



&#60;img width="1024" height="576" width_o="1024" height_o="576" data-src="https://freight.cargo.site/t/original/i/d79fa286d6a2d33b0422e6dba4506477a81c79d3620afe47e6abdd297d23b06c/MAIN_2.gif" data-mid="254166625" border="0"  src="https://freight.cargo.site/w/1000/i/d79fa286d6a2d33b0422e6dba4506477a81c79d3620afe47e6abdd297d23b06c/MAIN_2.gif" /&#62;
In which chamber of our mind are our thoughts hatched? What forces rule the subconscious? External stimuli, sounds and images shape your life experience. Are your choices really yours, is free will truly in your grasp? Now we look back in the linear algebra of time and try to find the synapsis between those empty shells and what remains.






	
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AI poem adaption, director of photography, editing, visual effects by Leandros
Original poem, music and sound design by Ilias
Special thanks to Xristina


</description>
		
	</item>
		
		
	<item>
		<title>Thessaloniki report 2016-2022</title>
				
		<link>https://leandrosmarios.com/Thessaloniki-report-2016-2022</link>

		<pubDate>Mon, 09 Nov 2026 21:18:58 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Thessaloniki-report-2016-2022</guid>

		<description>Thessaloniki report 2016-2022

&#38;nbsp; &#38;nbsp;
	&#60;img width="8558" height="3222" width_o="8558" height_o="3222" data-src="https://freight.cargo.site/t/original/i/99414cb5fe32bcdf8ce07995ecf6ce1123dbedf1206c00d016d6cd5beed1e718/Guernica.jpg" data-mid="254293625" border="0"  src="https://freight.cargo.site/w/1000/i/99414cb5fe32bcdf8ce07995ecf6ce1123dbedf1206c00d016d6cd5beed1e718/Guernica.jpg" /&#62;







By
watching a live public webcam recording the center of Thessaloniki, I am
observing the constant transformation of public space. I want to witness and
reconstruct an image of the city, not only of my own memories but of a
collective memory that ultimately shapes it.


The ‘’Arch of Galerius’’ widely known as ‘’Kamara’’ is the central point and one of the most important Roman monuments of the city. Even after 1700 years, it remains a symbol and part of daily life. It is used as a meeting point, a place of political and cultural gatherings, a touristic attraction, a drug trafficking area and as ‘’playground’’ for bag-snatchers and lovers alike.



















I ask one simple question:

 What is the first image that comes to mind
when you think of Thessaloniki?

The answers vary and reveal the respondents'
relations to the city. The hypothesis that ''Kamara'', the Roman triumphal
monument, will prevail as an answer is confirmed and therefore takes the lead
in each composition. However, all answers are included in each artwork for
the creation of a new historicity.

















Each
piece is unique and has been made during the 5 years I lived in Thessaloniki.
All documents and videos are from my personal archive.


	
	
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		<title>Erroneous Process</title>
				
		<link>https://leandrosmarios.com/Erroneous-Process</link>

		<pubDate>Mon, 09 Nov 2026 21:19:00 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/Erroneous-Process</guid>

		<description>

Erroneous Process 

An incorrect procedure's imprint is recorded.



&#38;nbsp;
(part of CnaΨ installation)






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I reshape my body, covering my mouth completely with plasticine. This masking symbolizes wholeness, in the expression of the visual language, as a communication form. I m trying to dig up and picture the space of the unspoken, where language has no longer access. In the next step, with the help of my colleague John, we attempt to create a realistic mold of my own face. Every detail has and will be reproduced in the final sculptural installation (C-na-Ψ). But the elements of chance andpreconception intersect, revealing a new perspective. Shekin and Rafael rush to help. All four of us become witnesses and protagonists of the same experiment. What are the motivations for one to persist against all odds when planning falls apart? What happens when one finds oneself powerless under the authority of others? How do we perceive and interpret the need of another and how do we interpret the help that is provided? Questions that recur throughout art history and are documented to map the neuro-synapses.
Credits:


Marios Leandros Basteas
John Kontos
Shekin Naidi
Rafael Ilioniou




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</description>
		
	</item>
		
		
	<item>
		<title>C-na-Ψ</title>
				
		<link>https://leandrosmarios.com/C-na-P</link>

		<pubDate>Mon, 09 Nov 2026 21:19:01 +0000</pubDate>

		<dc:creator>Marios Leandros Basteas</dc:creator>

		<guid isPermaLink="true">https://leandrosmarios.com/C-na-P</guid>

		<description>C-na-Ψ


	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/f5755984581fd425944e1d286b40e328ea905b62ee2a0744b0a6166dc60f9f3f/DSC04185.JPG" data-mid="254166674" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/f5755984581fd425944e1d286b40e328ea905b62ee2a0744b0a6166dc60f9f3f/DSC04185.JPG" /&#62;
	&#60;img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/1f73cee677d05740eaec1f83fd24183cb75979168f64493536d30d9438853bc1/_DSC0285.jpg" data-mid="254166655" border="0"  src="https://freight.cargo.site/w/1000/i/1f73cee677d05740eaec1f83fd24183cb75979168f64493536d30d9438853bc1/_DSC0285.jpg" /&#62;





















	


















Sculpture creates
free space. Based on Heideggerian philosophy,
it is not used for anything but
contemplation, which is the means of approaching freedom (Heidegger,
p.102)1. Every statement in its language remains eternal. In materials such as
stone or marble, where matter is removed, error does not allow a return to the
original position. Here there are no Ctrl+Z’s as there are in digital designer
rooms. The error remains apparent - honest and open to face-to-face
confrontation. But not always; in many cases it can be amplified. However, it remains.


A surgeon cuts and penetrates
the body with his instruments. He dramatically reduces the distance and
interacts with the material substance. I attempt, with my attention focused on the
human vehicle, to locate, x-ray and then map elements that operate and play
out, in the distant, borderline obscure scene of the human intellect. [...]Over time, I become aware of, and observe, an indefinable bodily structure,
similar to my own. Unformalised internal dialogues and agreements are stored as
destinations without me identifying their exact location and the moment of
their conception. A function as familiar as the huge pine tree in my backyard.
But I will never see its true size, as long as it is not uprooted. [...]
Master Thesis
C-na-Ψ (Synapse)
School of Visual and Applied Arts, Faculty of Fine Arts AUTh 2021
ISSUU : Catalogue





	



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